More script than novel.
The TV writer and producer, not to mention famous F.O.B. (Friend of Bill), debuts with the chronicle of one eventful year in a small town where a few high-school friends are still close.
Like an overfurnished room, Bloodworth-Thomason’s story is stuffed with colorful characters who (not surprisingly) all talk and behave like actors in a TV show. The small group of friends live in Paris, Arkansas, where a big superstore has been built out on the highway, so that everyone is shopping out there instead of patronizing the old Main Street businesses. This megastore and a group of prejudiced rednecks are the villains in an essentially sentimental tale that’s book-ended by a death and a wedding. When Dr. Mac dies, fortysomething Wood Mackelmore, his son and a physician, feels even more down about his own life. His marriage to Milan seems as dull as his job, and he’s feeling restless. His friends Mavis, Jeter, and Brundidge also have their issues. Mavis is single and owns a successful bakery, but she wants a baby. Jeter, who is confined to a wheelchair thanks to a football injury, writes poetry and dreams of love. And Brundidge—divorced, lonely, and determined to preserve Paris—refuses to shop at the superstore. As the friends mourn Dr. Mac, Wood’s daughter Elizabeth announces that she’s going to marry fellow college student Luke, who is the son of Duff, an old high-school flame of Wood’s. And as the year passes, Wood and Duff get together, while Milan, who has overcome a terrible past—poverty and her father’s suicide in front of her—tries to plan the wedding while ignoring Wood’s infidelity. The friends are preoccupied, too, as Mavis finds an unlikely sperm donor, has a baby, and realizes she’s gay; some louts attack Mavis, Jeter tries to save her, and Brundidge may at last have found love. As the year finally ends, there’s a wrap-up of a wedding with a difference.
More script than novel.Pub Date: Sept. 7, 2004
ISBN: 0-06-059670-8
Page Count: 304
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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