This brief biography makes Frank’s writing an effective introductory focus for young readers.
Anne Frank’s story of confinement for several years after the Nazi takeover of the Netherlands, including her tragic death, is simply but accessibly told.
Marshall introduces Anne as an individual. “As a baby, Anne cried. LOUD. As a toddler, she was silly and made everyone laugh. And as a little girl, she spoke her mind.” Marshall intersperses this account with brief historical interludes. An image of Anne and her friend throwing water on people from a balcony is indicative of her happy early childhood, but by 1940 the Nazis invaded the Netherlands. When she receives her diary for her 13th birthday, the text notes that Anne “wrote about new rules that stopped her—and all Jews—from riding bikes, going to movies, playing in public parks, and attending public schools.” Children will understand how these restrictions would change life immeasurably. Marshall chronicles the Franks’ time in the Secret Annex with short, poetic sentences about what Anne wrote. The flat illustrations show Anne with her dark hair and intense eyes in happy and sad times, the lack of depth emphasizing Anne’s confinement. History is reflected on several pages with darker palettes that include maps to help readers understand the proximity of Germany to the countries it conquered. The last spread celebrates Anne’s legacy.
This brief biography makes Frank’s writing an effective introductory focus for young readers. (afterword, timeline, author's note, sources, bibliography, websites) (Picture book/biography. 7-9)Pub Date: Sept. 15, 2020
ISBN: 978-1-338-31229-4
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
An engaging and informative true story of perseverance and discovery.
Fern and Kulikov, collaborators on the picture-book biographies Barnum’s Bones (2012) and W is for Webster (2015), bring the self-taught archaeologist who discovered King Tut’s tomb to life.
Howard Carter’s obsession with mummies began when he was a boy in England and visited a nearby mansion filled with ancient Egyptian artifacts. Carter dreamed of discovering a mummy himself. At 17, he took a job copying ancient art for the Egypt Exploration Fund. Awed by the art and architecture he sketched and copied, Carter was eager to make discoveries of his own. He taught himself the methodologies of archaeology, Arabic, geology, Egyptian history, and how to read hieroglyphics. As an antiquities inspector for the Egyptian government, Carter excavated several tombs only to find they had been looted. Undaunted, Carter devised a plan to excavate every unsearched inch in the Valley of the Kings. His dogged persistence paid off in 1922 when he discovered the treasure-filled tomb of Tutankhamun. Quoting from Carter’s own account, Fern infuses her story with excitement. She describes Carter as having a “funky personality” with a “stubborn attitude and worse table manners”; Kulikov’s exaggerated illustrations energetically capture Carter’s ambition and fascination with his subject.
An engaging and informative true story of perseverance and discovery. (author’s note, bibliography) (Picture book/biography. 7-9)Pub Date: Aug. 7, 2018
ISBN: 978-0-374-30305-1
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
A tad rough around the edges but, visually, at least, a keeper.
A planet's-eye view of some recent visitors from Earth—one in particular.
In measured, deceptively solemn prose, the narrator (Mars itself, as eventually revealed) gets off to a shaky start, observing that the rover rolls on and on, making straight tracks that confusingly become a tangle on the next page. Things settle down thereafter: “It observes. Measures. Collects. It is always looking for water. Maybe it is thirsty.” Roy matches the tone with a set of broad, rugged, achingly remote-looking Mars-scapes that culminate in a wildly swirling dust storm followed by a huge double gatefold: “Everything is… / RED as far as the eye can see. But it is beautiful.” Curiosity itself she depicts with almost clinical precision (though its wheels look different from different angles), adding a schematic view at the end with select parts and instruments labeled. Following playful nods to other rovers along the way (Spirit and Opportunity “had a spirit of adventure and seized every opportunity to explore”), a substantial quantity of backmatter includes more information about each one—including the next one up, Mars 2020—as well as about the fourth planet itself. For audience appeal it’s hard to beat Markus Motum’s cheerfully anthropomorphic Curiosity: The Story of a Mars Rover (2018), but the art here, in adding a certain grandeur and mystery to the red planet, has an appeal of its own.
A tad rough around the edges but, visually, at least, a keeper. (bibliography) (Informational picture book. 7-9)Pub Date: Oct. 29, 2019
ISBN: 978-1-250-19833-4
Page Count: 44
Publisher: Roaring Brook Press
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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