by Linda Greenhouse ‧ RELEASE DATE: Oct. 30, 2017
While raising plenty of significant issues, Greenhouse’s themes remain open to spirited debate.
A Pulitzer Prize–winning journalist reflects on the changes and flaws within her profession.
Best known for her decades covering the Supreme Court beat for the New York Times, Greenhouse (Becoming Justice Blackmun: Harry Blackmun’s Supreme Court Journey, 2005) writes frankly of her frustrations at the Times and with journalism in general. Too often, she believes, journalists have pulled their punches, sacrificing truth as they perceive it before the false gods of fairness and objectivity. “The opposite of objectivity isn’t partisanship, or needn’t be,” she writes. “Rather, it is judgment, the hard work of sorting out the false claims from the true and discarding or at least labeling the false.” Greenhouse shows what significant strides journalism has made in what she calls “the post-truth age,” when news stories and headlines now employ language once reserved for opinion pieces or for private conversations among journalists. If a candidate, or even a president, tells a lie, her former paper no longer has qualms about labeling it as such. Yet some will continue to find bias in such labeling and will see what is offered as context or analysis as opinion. The author asks, “does ‘objectivity,’ with its mantra of ‘fairness and balance,’ too often inhibit journalists from separating fact from fiction and from fulfilling the duty to help maintain an informed citizenry in a democracy?” From her perspective, the question is rhetorical, and the answer is apparent. Yet this brief book of argument and anecdote presents a minefield of challenges that journalism itself is far from unified over how to face. And the ground keeps shifting as the mainstream press does its best to remain a watchdog while resisting the label of adversary. The third and final section of the book recounts Greenhouse’s newspaper career, showing how much things have changed since the days when women were an anomaly in the profession, deadlines determined the news cycle, and the internet and smartphones were hard to imagine.
While raising plenty of significant issues, Greenhouse’s themes remain open to spirited debate.Pub Date: Oct. 30, 2017
ISBN: 978-0-674-98033-4
Page Count: 170
Publisher: Harvard Univ.
Review Posted Online: July 24, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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