Straightforward storytelling and captivating reading: satisfying as a Maine lobster dinner.
Greenlaw, who chronicled life as captain of a swordfish boat in The Hungry Ocean (1999), here describes her new work: lobstering on the tiny Maine island where her family lives.
Isle Au Haut in Penobscot Bay has fewer than 50 permanent residents, half of them relatives of the author. As skipper of the Mattie Belle, Greenlaw waits season after season for salable crustaceans after setting 500 traps, putting out herring for bait, and watching factory-boat interlopers cruise by without so much as a wave. Our captain provides lots of lobster lore and a stark evocation of the ocean’s ever-present cruelty, including a discussion of hypothermia and death at sea. (Not many of the island’s dozen or so commercial fishermen see the point of learning to swim in the North Atlantic.) Along with matters nautical, Greenlaw describes Isle Au Haut’s anthropology, ethnography, and ethos, delineating the complex genealogy and traditions that bind the islanders. It’s a nice narrative of one year in community relationships: life with Mom (who falls ill) and Dad (Linda’s sole crew member), crazy Rita and the gal who bares her boobs, the sweet preacher and the B&B proprietors. We see small-town civics in action when the Lighthouse Committee runs into trouble and the debate about waging gear war against invading mainland boats runs out of gas. Life on an island has its hardships (no Starbucks!), and Greenlaw is frequently lonely—but more frequently quite self-sufficient. Despite the occasional wayward personal pronoun or misidentification of a biblical character, her writing is clear and sharp. Anecdotes about encounters at the boatyard or general store recall a quieter, less crowded America that now seems rare indeed.
Straightforward storytelling and captivating reading: satisfying as a Maine lobster dinner.Pub Date: July 10, 2002
ISBN: 0-7868-6677-2
Page Count: 256
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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