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LEANING INTO THE WIND

WOMEN WRITE FROM THE HEART OF THE WEST

Essays, stories, poems, and a few recipes by women from the High Plains. Some years ago memoirist Hasselstrom, librarian/horsewoman Collier, and publisher Curtis, residents of Wyoming, put out a call throughout the northern plains, asking for ``authentic'' and ``clear'' views of women's lives there. Their emphasis was particularly on the authentic: Protesting perhaps a little too much, they opine that the West has been popularized to the point where ``a New York stockbroker slips on pointy-toed boots in psychedelic colors to dine with a lady in a fringed skirt and mocassins,'' and real cowpokes are ashamed to be seen wearing cowboy hats for fear they'll be mistaken for these poseurs. They've turned up plenty of authentic work here. The collection suffers only from a predictable level of repetition, inasmuch as many of the 125 contributors (including teachers, housewives, cattle and sheep ranchers, and writers) turn to the same themes: the loneliness of ranch life, the smell of new-mown hay, the bitterness of an Alberta Clipper wind in the thick of winter. For all the sameness, though, many of the pieces—few by previously published writers—are very fine, among them NellieWesterskow's remembrance of her first year of marriage, in 1921, when she and her husband were so poor they ``had to share the only fork until Nels found another at an abandoned homestead when he was out riding.'' Garnet Perman's ``Evolution of a Country Woman'' is a good-natured enumeration of all the things that a ranch wife has to know (such as the fact that ``sheep have an IQ three points below that of wormwood''). Morgan Songi offers a lyrical account, noting that in the ``crystal mornings after an ice storm'' the beauty of the land makes up for the isolation of farm life. A fine example of regional anthologizing.

Pub Date: June 18, 1997

ISBN: 0-395-83738-3

Page Count: 388

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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