The possible dognapping of a pooch that belonged to her brother’s new girlfriend puts a dog lover on watch and maybe in danger herself.
Though her brother Neal has never been short on love interests, Carrie Kennersly is intrigued that he appears to be smitten once more. Janelle Blaystone, the young woman who’s caught Neal’s eye, is a newcomer to Knobcone Heights. Although Janelle seems friendly enough, Carrie thinks she sees sadness in her eyes. Her assessment is confirmed when Janelle reveals that one of her primary reasons for coming to town is to get away from reminders of the disappearance of Go, her dog. Later, however, Janelle shows a strong interest in the upscale area of Knobcone Heights and houses like the one belonging to the Arnist family. When Carrie follows up with Janelle, she learns that Go’s disappearance may have been a dognapping and that Janelle believes the perp is Ada Arnist. Carrie, who can’t imagine losing her beloved Biscuit, is eager to help. At the same time, she wants to determine whether Janelle is worth Neal’s attentions. In between indulging these impulses, she must contend with romantic overtures directed toward her by everyone from veterinarian Reed Storme, who’s practically her boyfriend, to, well, most of the other males who pass through town. More sensitive readers are warned that the interesting tidbits Carrie throws off about other characters often come off as judgmental rather than witty or informative.
No serious departures here from Johnston’s series debut (Bite the Biscuit, 2015) or oeuvre (the more recent Knock on Wood, 2015).Pub Date: May 8, 2016
ISBN: 978-0-7387-4627-2
Page Count: 312
Publisher: Midnight Ink/Llewellyn
Review Posted Online: Feb. 15, 2016
Kirkus Reviews Issue: March 1, 2016
Categories: MYSTERY & DETECTIVE | DETECTIVES & PRIVATE INVESTIGATORS | COZY MYSTERY
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Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 23, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 19, 2019
Kirkus Reviews Issue: March 1, 2019
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