by Linda Porter ‧ RELEASE DATE: July 1, 2008
Properly accentuates this much-maligned queen’s achievements, but not always convincing when trying to explain away her...
Brisk, learned reassessment of Mary Tudor, whose short reign featured beheadings and burnings, but also political and social reforms for which she has never received proper credit.
A former university lecturer, Porter debuts with a difficult assignment: painting a gentler expression on the grim visage traditionally given to “Bloody Mary.” The author pinpoints several factors in what she sees as a historical injustice. The first is Acts and Monuments, John Foxe’s graphic, wildly popular account of Protestant martyrs’ sufferings during Mary’s attempts to restore England to Roman Catholicism. Centuries of male Protestant historians have tended to follow the general line of Foxe’s book, in print ever since it was first published in 1563. It didn’t help Mary’s reputation that her turbulent years as queen (1553–58) were immediately followed by half-sister Elizabeth’s much longer and admittedly more glorious reign. Porter champions her subject with sturdy determination and fixed focus. She revisits Henry VIII’s long marriage to Katherine of Aragon, Mary’s mother, and the failure to produce a male heir that prompted Katherine’s repudiation and Henry’s break with Rome. She deals with the short reign of Mary’s half-brother Edward VI and examines the mercurial relationship between Mary and Elizabeth. She explores the political marriage between Mary and Philip II of Spain, who did his marital duties but eagerly escaped to the continent whenever he could to avoid his older and not very alluring wife. Porter argues that the queen did not want to restore medieval Catholicism, even though the burnings at the stake of Thomas Cranmer and nearly 300 others suggest the contrary. The author credits Mary for encouraging the arts, insisting on better education for the clergy, initiating some fiscal reforms and being true to the religion whose verities she never questioned.
Properly accentuates this much-maligned queen’s achievements, but not always convincing when trying to explain away her failures.Pub Date: July 1, 2008
ISBN: 978-0-312-36837-1
Page Count: 464
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2008
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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