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WHO NAMED THE KNIFE

A literary tapestry of true crime, memoir and personal essay that simultaneously enthralls and disturbs.

A stint as a juror leads, many years later, to a relationship with a convicted killer.

In 1978, the murder of Larry Hasker rocked peaceful Honolulu, his body found just 25 feet from a highway. At the time, Kansas-born Spalding, recently married to a photographer and living in Honolulu, read about the crime in the paper. Four years later, she became an alternate juror in the murder trial of young Maryann Acker. Hasker was one of two victims in a crime spree; Maryann’s husband William had already been convicted of killing the other, Cesario Arauza. In a bizarre twist, William was a prosecution witness in the case against Maryann, predictably foisting responsibility onto her. Spalding noted numerous anomalies in the proceedings and felt an affinity for Maryann, only 18 at the time of the crime. On the last day of the trial, Spalding arrived late and was abruptly dismissed. Shortly thereafter, she moved to Toronto and thought little of Maryann until a decade later, when she came upon her notes from the trial. After a little digging, she was amazed to learn that Maryann was still in prison and contacted her. (In the meantime, Spalding had become a critically acclaimed novelist and scholar (Mere, 2001, etc.), now married to Booker Prize–winning author Michael Ondaatje.) Spalding’s research supplements letters from Maryann about her early years and recent struggles, and snippets of news articles and transcripts pepper the narrative. The author also fleshes out Maryann’s story before prison as well as her efforts to gain release. Short, elegantly written chapters find Spalding examining her own life through the prism of Maryann’s, with ruminations on family and love and the details of everyday living.

A literary tapestry of true crime, memoir and personal essay that simultaneously enthralls and disturbs.

Pub Date: Sept. 18, 2007

ISBN: 978-0-375-42476-2

Page Count: 256

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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