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TELLING WOMEN'S LIVES

A well-researched, engrossing history and critique of biographies about women. After publishing Sylvia Plath, A Biography (not reviewed), Wagner-Martin (English and Comparative Literature/Univ. of North Carolina) found herself ``bewildered and then amazed at the lambasting'' some British reviewers gave her book. Compelled to understand this criticism, Wagner-Martin attempts here to delineate why writing about women's lives has become ``a dangerous cultural and literary project.'' In probing the differences between biographies about men and women, she analyzes the unique difficulties faced by the biographers of women. Biographies, she asserts, are a traditionally male domain because comparatively few women have had the kind of success that attracts notice. And because fewer women have lived public lives, women's biographies are more often based on private events. It is the centrality of these private events that creates problems for traditional biographers. ``If a woman is promiscuous,'' asks Wagner-Martin, ``what kind of response will readers have to this aspect of her existence?'' A biographer who acknowledges the lesbian relationships of Gertrude Stein, Eleanor Roosevelt, or Margaret Mead has to risk alienating certain readers who chauvinistically hold women up to different moral standards. Postfeminist women biographers of the past 30 years, on the other hand, are seen as changing the parameters of biography to focus far more on the internal lives of their subjects. In the course of examining these questions, Wagner-Martin also delves into other interesting areas, such as the ethical issues biographers face (what to reveal and what to conceal) and gender stereotypes about ``what a good, moral woman should be.'' An extensive bibliography appends the text. A significant and provocative contribution to postfeminist literary criticism. (b&w photos, not seen)

Pub Date: July 8, 1994

ISBN: 0-8135-2092-4

Page Count: 200

Publisher: Rutgers Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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