Keen comedy redeems an overly congested—albeit, briskly paced—murder plot.
A debut novel offers a hard-boiled detective story, punched up with some witty repartee—and sexual tension—between investigative partners.
Helene Stoner, a young, troubled girl, turns up dead at the Port Authority Terminal in New York City, mysteriously murdered. Her estranged father, Harcourt T. Stoner, an affluent baron of business, recruits two private investigators, Jessica Horowitz and Matt Redman, to find the killer. Autopsy results reveal that Helene gave birth to a child, and Harcourt wants them to track the kid down as well, if he or she remains alive. Meanwhile, Redman, a computer security expert, helps the IRS determine the source of a corrosive virus running rampant through its technology. The pair uncover a connection between Helene and Estella Malkin, a psychologically unhinged contract killer, who unfortunately dies before she can disclose any useful information. But Horowitz and Redman discover that Estella had donated significant sums of money to a charitable organization called Helping Hand Home, which provides assistance to erstwhile prostitutes and wayward girls. This leads them to a cultish organization in New Hampshire run by a charismatic leader, whose mission in life seems to be to prey upon vulnerable young women. The two parallel stories—the murder of Helene and the virus decimating IRS computers—finally converge in an unpredictable twist. It’s remarkable how much is packed into what is essentially a novella, but the price of unpredictability is a plot riddled with convolution and implausibility. The banter between the two protagonists can be genuinely sharp and funny, highlighting the barely suppressed romantic magnetism. They form an unlikely pair—she’s a Jewish ex-cop and he’s a black military veteran—but their chemistry is palpable. The dialogue sometimes reads like a parody of old pulp fiction mysteries, overwritten and excessively cute: “ ‘Freeze,’ Boris snapped. Matt was still trying to look up her tank top. ‘Or do you vant to choin your spirit friend, Zimru?’ Boris’ face did not inspire chumminess. Neither did the gun in his hand. She froze.” The pace is unyielding, and the authors manage to turn grim topics—murder and the systematic exploitation of young women—into fodder for comedy. This is a fun, if uninspired, iteration of a shopworn genre.
Keen comedy redeems an overly congested—albeit, briskly paced—murder plot.Pub Date: March 8, 2016
ISBN: N/A
Page Count: 225
Publisher: CreateSpace
Review Posted Online: June 13, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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