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SEA OF HOOKS

A tour de force, but definitely not for every taste.

A remarkable and multifaceted novel—philosophical, poignant and puzzling.

The central event of the narrative is Christopher Westall’s discovery of the body of his mother, Evelyn, who died by suicide. Christopher was 22 when this happened, and the novel moves chronologically both backward and forward from this one event. Although a few weeks after his mother’s death Christopher goes to Bhutan, most of the book is taken up by Christopher’s life before his mother’s suicide. We find a number of complexities in his character—for example, although he was a fairly mediocre student, he was a prodigy at bridge. At a young age, he’d gotten sexually involved with a Stanford graduate student, and later in his adolescence, he became intrigued with Dr. Thorn, whose philosophical mind appealed to the many questions Christopher was raising at the time. The central relationships of his life, however, remained those with his mother and, to a lesser extent, with his father, Westy, a gruff atheist with little emotional subtlety. In contrast, Evelyn was hypersensitive and always a tad strange. The form of the novel is fragmented and recursive, with chapters ranging from one sentence to several pages. While there’s a linearity of sorts, Hill is far more interested in moving the narrative along through image patterns (fire, destiny, the “knife-people” lying flat and “sharpening themselves against each other”) as well as through the preoccupations and questionings of Christopher’s mind.

A tour de force, but definitely not for every taste.

Pub Date: Nov. 1, 2013

ISBN: 978-1-62054-006-0

Page Count: 352

Publisher: McPherson & Company

Review Posted Online: Aug. 28, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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