Stern’s brittle comedy of highfalutin intellectual theories evolves into a feeling portrait of a gifted man coming face to...
Passion (or the lack of) among the academic elite is the subject of Stern’s first novel, narrated by a philosophy professor who studies the nature of knowledge while clueless about how to lead his life.
Love and academic politics at an unnamed Rhode Island college make for an uneasy marriage between recently tenured Ivan and his younger wife, Prue. Ivan, a self-proclaimed “fusty scholar” with no apparent friends and little sense of adventure or humor (except with Prue’s 7-year-old niece, May, toward whom he is lovingly protective) adores Prue, an intellectual live wire popular with peers and students. He wonders, as will readers, what about him other than sex attracts Prue—probably not his binge-eating. Ivan’s scholarship, which circles around the nature of belief and knowledge, has always been eclipsed by biolinguist Prue’s scientific research into the nature of language. She has published 20 articles to his four and has received funding to start a center for ornithology at the college. Ivan has already sensed a tension growing between them before she announces that she has not yet decided whether to accept or reject an exciting six-month research offer from the Max Planck Institute in Germany. Worse, she doesn’t tell him this while they’re alone but rather in front of her encouraging friends. Ivan seems like a stick in the mud when he complains that her absence might have a negative effect on her upcoming tenure review. Then she gives a controversial lecture questioning the ethics of her own study of animal language. Horrified by the possible damage she’s done to her career, Ivan is again unsupportive. In contrast, Prue’s visiting father, Frank, leaps to her defense in disastrous fashion. Bipolar Frank’s mental health is spiraling down because Ivan has not made Frank take his meds as Prue requested. Meanwhile, just as genuine professional success appears within reach, Ivan’s misreading of the world around him causes him to mislead Prue in increasingly foolish and serious ways.
Stern’s brittle comedy of highfalutin intellectual theories evolves into a feeling portrait of a gifted man coming face to face with his limitations.Pub Date: Feb. 19, 2019
ISBN: 978-0-525-55743-2
Page Count: 240
Publisher: Viking
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
PROFILES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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