An excellent biography of a genuine miracle worker.
The author of The Butchering Art returns with “a new perspective on the terrible consequences of trench warfare, and the private battles that many men fought long after they put down their rifles.”
“Disfigured soldiers,” writes Fitzharris, “often suffered self-imposed isolation from society following their return from war.” While this has been true throughout history, the vast increase in military technology during World War I produced an avalanche of torn flesh and mutilated body parts that overwhelmed surgeons. Among more than 20 million injured, nearly 300,000 soldiers suffered facial trauma. In this often graphic yet inspiring, engaging book, the author focuses on Harold Gillies (1882-1960), a successful British ear, nose, and throat surgeon whose pioneering work in repairing faces places him among the war’s few true heroes. Sent to France early in the war, he observed freelance dental surgeons (the Royal Army Medical Corps had none) experimenting with facial reconstruction. He quickly established that the first principle of battlefield surgery—to close gaping wounds—was a disaster for jaw and facial injuries. Unless the damaged underlying structures were repaired first, the procedures guaranteed a grotesque end result. Returning to the Queen’s Hospital in London, Gillies persuaded the chief surgeon to establish a facial injury ward, which eventually grew to more than 1,000 beds and employed dozens of surgeon, dentists, artists, and sculptors who pioneered a new specialty: plastic surgery. The author’s case reports of individual soldiers are not for the faint of heart, but she delivers a consistently vivid account of the ingenious techniques involving skin flaps, grafting, reconstruction, and prostheses, most of which Gillies and colleagues invented. Many victims required dozens of painful procedures, and not all succeeded, but his accomplishments, along with his compassion, made him an object of worship from patients. A “genuine visionary in his field,” he received a good deal of favorable publicity in the media but only modest official recognition, including a knighthood in 1930, and he continued to practice until his death.
An excellent biography of a genuine miracle worker.Pub Date: June 7, 2022
ISBN: 978-0-374-28230-1
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 5, 2022
Kirkus Reviews Issue: May 1, 2022
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
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