by Lisa Armstrong ; Kwame Dawes ; photographed by Andre Lamberton ; developed by Pulitzer Center on Crisis Reporting ‧ RELEASE DATE: July 21, 2012
A model of long-form feature journalism for the iPad.
A bracing multimedia portrait of life in Haiti following the devastating earthquake there in 2010.
The two lead authors of this well-reported, enhanced e-book bring divergent but equally valuable sensibilities. Armstrong, an experienced journalist, reports on the everyday lives of survivors of the quake, visiting with residents of a camp on a former airport runway and doctors grappling with HIV/AIDS. (One major consequence of the quake was the disruption of access to anti-viral drugs.) In contrast to Armstrong’s more straightforward style, poet Dawes more indirectly evokes the despair and occasional shards of hope that characterize life there. Each chapter opens with a brief poem by Dawes, generally mournful (“Oh, the mothers of mothers / who know too well the hottest / sorrow”), and he also contributes a number of profiles with doctors, ministers and sex workers, written in a personable, observational style. The e-book is studded with excellent photography; some of it captures the sprawl of the tent cities that rose up following the quake, but most present intimate portraits of residents going about their daily lives. Girls in colorful dresses walk through rubble, and boys smile from a van whose windshield is pockmarked by bullets; the general message is that Haitians are moving on, while Haiti’s infrastructure is agonizingly stalled. It also features brief but illuminating videos relating to the profile subjects and the poems, backed by unobtrusive, somber jazz. The sole downside is that all this rich design, photography and video makes for a bulky package: At 1.86 gigs, it may require iPad owners to clear out some space. But it is a valuable feat of reportage, free of plodding historical background or easy bromides about the indomitability of the spirit. Well-made as this e-book is, it never underplays the suffering it reveals.
A model of long-form feature journalism for the iPad.Pub Date: July 21, 2012
ISBN: N/A
Page Count: -
Publisher: Pulitzer Center on Crisis Reporting
Review Posted Online: June 25, 2013
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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