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COCO CHANEL

AN INTIMATE LIFE

Chaney’s engagement with her subject is evident throughout, and her exhaustive research into Chanel’s life—especially its...

In this ambitious, engrossing biography, Chaney (Hide-and-Seek with Angels: A Life of J.M. Barrie, 2006, etc.) delves into the life and times of one of the 20th century’s most controversial fashion icons.

The author probes beneath the cool exterior of Coco Chanel (1883–1971), the woman who, for all the money, status and power she attained, would always “remain self-conscious about her background,” and whose personal torment over a tragic past would later manifest as an addiction to morphine. Chaney chronicles Chanel’s early life in France, from her birth into a family of  “impoverished, nomadic market-traders” and difficult adolescence at a convent orphanage to her years as a struggling apprentice seamstress. Hard-working and ambitious, Chanel understood that men were critical to her advancement and took young scions of wealthy families as her lovers. One such individual, Arthur Capel, not only became the love of her life, but also the man who helped Chanel establish the “little business” that, by the end of World War I, was well on its way to becoming a fashion empire. In the 1920s, Chanel catapulted to the center of cultural and artistic life in Paris, a place she occupied almost continuously until her death. Beautiful, provocative and possessed of a “mordant wit,” she became linked to celebrated artists such as Stravinsky, Picasso and Dalí; members of the Russian nobility; other women; and, during World War II, a German soldier with Nazi ties.

Chaney’s engagement with her subject is evident throughout, and her exhaustive research into Chanel’s life—especially its darker, more enigmatic corners—and the cultural history she so profoundly impacted make the book as fascinating as it is informative.

Pub Date: Nov. 14, 2011

ISBN: 978-0-670-02309-7

Page Count: 400

Publisher: Viking

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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