Part memoir, part nature essay, a roundabout search for a place of one's own—in this case, on the high plains of Nebraska. In this debut book, Norton writes of returning home from years of wandering to ``an aging reservoir on the Cedar River, part marsh, part bass lake, wellspring of my childhood memories.'' Her travels from coast to coast, she writes, had given her a close-up look at the blue highways and backroads of America, an education in the art of rootlessness. They also delivered an apprenticeship ``in the field of emotion, learning the nuances of sadness, depression, joy, and loss. I was a tabula rasa, allowing the world to etch its patterns into me.'' Sadness outweighed joy, and her apprenticeship led to a sickness of the soul, especially after she was raped and then, for years, tried to bury the horrible memory in drink. ``For long years I felt afloat without mooring, without anchor,'' she writes, until she finally returned to that place of childhood pleasures, a lean place ``not quite desert, yet no oasis either.'' Her account of finding a restorative haven on familiar ground, among kin and friends, moves her slender book from the nature shelf to that devoted to recovery, and it is a very worthy addition to that library. As nature essay, though, Norton's book also succeeds; she writes affectingly of the plants and animals that inhabit the place—cedars, cranes, curlews, cottonwoods, sand roses, and other manifestations of ``simple beauty''—and of the cowboys and farmers who work the land. These are all matters that can be written of well only after long study and close observation, and it is clear that Norton has done her homework and paid attention. This book merits a place alongside the work of Terry Tempest Williams (who encouraged her) and Annie Dillard. (Author tour)
Pub Date: Oct. 17, 1996
ISBN: 0-312-14591-8
Page Count: 240
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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