A fresh voice with a recipe for empowerment.
The debut memoir of family and food from a renowned pastry chef and food writer.
Donovan, who received a James Beard Award for her work in Food & Wine, chronicles her career as a chef and her unrelenting passion for the culinary arts, but she also digs into her family history, offering keen reflections on the intersections of race and gender and spirited discussions of work, class, and opportunity. Donovan grew up in a mixed-race military family that featured both Southern and Mexican lineages, and she ably conveys the assimilationist pain of reckoning with the family pretense that it “was better to be invisible than to not be white.” From childhood to adulthood, the author unpacks her complex heritage through fascinating stories of trials, persistence, and success. At times, overly nostalgic flashbacks cloud the narrative—Donovan admits that she is “faulty for romanticizing all number of things. I know this about myself”—but a compelling voice holds everything together. The author integrates harrowing accounts of abuse, rape, abortion, marriage, and motherhood with discussions of her varied professional experiences, most of which have included workplace sexism. Donovan pointedly shows how women’s labor behind the scenes is often exploited to advance profits and egos. “Women are revered straight into abjection,” she writes, “useful only as a totem of inspiration. When we go to make that work our own, we are unable to survive in the industry the men built, the one they sell our wares within.” Occasionally, the author’s underdetailed representations flatten the impact of her experiences, but Donovan is to be commended for bringing exploitive work relationships to light while tackling the ego-driven world of celebrity chefs. As such, the book is not just a lively story of a talented pastry chef at the top of her game; it’s also a profoundly relatable memoir of the pervasive push back against female success.
A fresh voice with a recipe for empowerment.Pub Date: Aug. 4, 2020
ISBN: 978-0-525-56094-4
Page Count: 304
Publisher: Penguin Press
Review Posted Online: April 27, 2020
Kirkus Reviews Issue: May 15, 2020
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.
An insider’s chronicle of a pivotal presidential campaign.
Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”
A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.Pub Date: Sept. 23, 2025
ISBN: 9781668211656
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
BOOK REVIEW
BOOK REVIEW
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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