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THE ALMOST ARCHER SISTERS

A richly crafted tale of redemption and reinvention that stands out from the crowd.

Canadian sisters clash and cling.

Raised by hippie parents in a small farm town, Peachy and Beth Archer learn about grief at a young age when they discover their mother’s suicide note and lifeless body. Beth, the older sister, uses alcohol, sex and drugs to ease her pain. She flees Canada for the opportunity to reinvent herself as a stylist in New York City, where financial and career success come easy, but her love life is a train wreck and drama a constant companion. Peachy in turn transforms herself into the mother she always wanted, stable and dependable. She marries one of Beth’s castoffs and becomes a stay-at-home mom to two boys. Caretaker of the family homestead, she grows tethered to the farm and lets die her dream of becoming a social worker. Phone calls and Beth’s periodic Canadian sojourns keep the sisters intimate. Peachy serves as Beth’s moral compass while simultaneously envying her escapades. Their relationship crumbles when Beth returns home with the intention of bringing Peachy to New York City for a bit of culture. The night before the trip, Beth takes her wild behavior too far, and this time her sister won’t pick up the pieces. Peachy heads to NYC alone, leaving Beth to clean up her own mess. Humbled, Beth frantically tries to make things right as Peachy revels in her freedom. Gabriele (Tempting Faith DiNapoli, 2002, etc.) is unrivaled at conveying the messy side of motherhood: Peachy writes of “the constant laundry of my life, the sweat socks and skid marks and pee of my boys and men.” She’s a welcome new member to the short list of authors with the power to fully inhabit her characters (think Bobbie Ann Mason or Jane Smiley), leaving the chick-lit purveyors in the dust.

A richly crafted tale of redemption and reinvention that stands out from the crowd.

Pub Date: Oct. 1, 2008

ISBN: 978-0-7432-5586-8

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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