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THE ALMOST ARCHER SISTERS

A richly crafted tale of redemption and reinvention that stands out from the crowd.

Canadian sisters clash and cling.

Raised by hippie parents in a small farm town, Peachy and Beth Archer learn about grief at a young age when they discover their mother’s suicide note and lifeless body. Beth, the older sister, uses alcohol, sex and drugs to ease her pain. She flees Canada for the opportunity to reinvent herself as a stylist in New York City, where financial and career success come easy, but her love life is a train wreck and drama a constant companion. Peachy in turn transforms herself into the mother she always wanted, stable and dependable. She marries one of Beth’s castoffs and becomes a stay-at-home mom to two boys. Caretaker of the family homestead, she grows tethered to the farm and lets die her dream of becoming a social worker. Phone calls and Beth’s periodic Canadian sojourns keep the sisters intimate. Peachy serves as Beth’s moral compass while simultaneously envying her escapades. Their relationship crumbles when Beth returns home with the intention of bringing Peachy to New York City for a bit of culture. The night before the trip, Beth takes her wild behavior too far, and this time her sister won’t pick up the pieces. Peachy heads to NYC alone, leaving Beth to clean up her own mess. Humbled, Beth frantically tries to make things right as Peachy revels in her freedom. Gabriele (Tempting Faith DiNapoli, 2002, etc.) is unrivaled at conveying the messy side of motherhood: Peachy writes of “the constant laundry of my life, the sweat socks and skid marks and pee of my boys and men.” She’s a welcome new member to the short list of authors with the power to fully inhabit her characters (think Bobbie Ann Mason or Jane Smiley), leaving the chick-lit purveyors in the dust.

A richly crafted tale of redemption and reinvention that stands out from the crowd.

Pub Date: Oct. 1, 2008

ISBN: 978-0-7432-5586-8

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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