There’s a point in the narrative where one of the characters becomes so engrossed in reading a book that she loses track of...
A story about unconditional love, loss and renewal by bestselling author Genova (Left Neglected, 2011, etc.).
Nantucket residents Beth Ellis and Olivia Donatelli have both experienced life-shattering events that have left them raw and wounded and questioning everything that they ever believed to be true. Beth was married to Jimmy for 14 years, and they shared a seemingly normal life with their three daughters, until Jimmy had an affair and moved out. Olivia’s son, Anthony, was diagnosed with autism at a young age, and she and her husband, David, were just coming to terms with his condition when Anthony suddenly died at age 8. Like many couples, instead of drawing together to face grief, Olivia and David pushed each other away and eventually divorced. As Olivia turns to photography to earn a living and spends her time trying to understand the meaning of Anthony’s short time on earth, Beth picks up a pen and reconnects with a passion she’s long forgotten: writing. Ensconced in a comfortable area of the library, Beth writes a story inspired by a long-ago memory of a child placing stones end to end on the beach. It’s the story of a young autistic boy with humor and intelligence and exuberance for life, who through her, can voice his thoughts and feelings and allow others to see into his world. And as she shares these words with Olivia, they provide the strength and understanding and purpose that both women need to come to terms with the past and move on with their lives.
There’s a point in the narrative where one of the characters becomes so engrossed in reading a book that she loses track of time. Readers of Genova’s latest excellent offering might very well find the same happening to them.Pub Date: Sept. 25, 2012
ISBN: 978-1-4391-6468-6
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 1, 2012
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)
Pub Date: Sept. 18, 2000
ISBN: 0-618-02369-0
Page Count: 96
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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