Funny, wise, and painfully honest.

THE NAKEDS

The latest novel from the author of A Girl Becomes a Comma Like That (2004).

Seven-year-old Hannah Teller is on her way to school when she’s hit by a car. Martin Kettle—just out of high school, still drunk from the night before—is the driver who injures Hannah and leaves her by the side of the road. Glatt follows the intertwined lives of these two characters as they deal with the accident’s aftermath. As a little girl, Hannah is precocious and shy. While her intellectual curiosity persists, her reticence falls away—bit by bit—as she grows into a teenager. But the series of casts she has to endure as doctor after doctor tries to help her walk again serves as a barrier between Hannah and the kids around her. She sees the world as divided between the normal and the damaged, and she wants desperately to resume her place among the normal. Unfortunately for Hannah, her leg isn’t her only obstacle. Even by the standards of Southern California in the 1970s, her family is…different. Her father leaves her mother and Judaism for his mistress, evangelical Christianity, and surfing. Her mother marries a psychology student specializing in sexuality, which leads to weekends at a nudist colony. Hannah has a lot to navigate—on crutches—and she does so with a mordant wit that makes her delightful company. Martin’s story is sadder but not without its moments of comedy and gentle beauty. Immediately after the accident, he’s paralyzed by guilt—an emotional analog to Hannah’s immobility. First, he tries to hide; then he tries to run. Ultimately, neither helps much. Throughout this novel, hope is as much a curse as it is a blessing, and in the end, Glatt doesn’t shy away from this ambiguity. What she leaves her characters—and her readers—with is possibility.

Funny, wise, and painfully honest.

Pub Date: June 2, 2015

ISBN: 978-1-941393-05-5

Page Count: 288

Publisher: Regan Arts

Review Posted Online: April 2, 2015

Kirkus Reviews Issue: April 15, 2015

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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