A well-crafted portrait of two famous artists, their suffering, and their joys.
Groen’s historical novel imagines a love affair between Mary Cassatt and Edgar Degas.
In 1877, Mary “May” Cassatt is already making a name for herself in the French art scene, having had some paintings exhibited at the Salon, the establishment arbiter of the art world at the time. She is excited by the work of Edgar Degas, who has rebelled against the Salon and is a founder of the Impressionist movement. They finally meet, and she is enthralled. They become colleagues, then personal friends, and then, seemingly inevitably, lovers. Another strand in the story deals with Mary’s relationships with her family members. The Cassatts, from Philadelphia, are well-off, and her parents and older sister Lydia move to Paris to support Mary (and because they remember France so fondly). Mary is very close to Lydia, her faithful confidant, who lost her fiancé in the Civil War. Many famous real-life artists get cameo roles or mentions, showing Mary’s milieu, and Camille Pissarro gets more than that; as a happy husband and father, he contrasts with the tortured loner Degas, who can be incredibly hurtful. Camille becomes Mary’s other confidant; in fact, he warns her about Degas and is there for her when it all goes wrong. There is no hard historical evidence for this romance, and, of course, neither Mary nor Edgar ever married (this is not alternative history), but Groen is by no means the first to speculate. And Lydia at least did have a love tragically stolen from her. (At one point an exasperated Lydia says, “I wasn’t born with your talent…But I loved a man. I know what it’s like to wake up every morning longing for someone.”) What drives the book is the contrasting dynamics: love versus art, excitement versus serenity, the establishment versus the avant-garde. Love is strong, but is the pull of art stronger? That is the question. The text includes reproductions of artworks—mostly Cassatt’s—throughout.
A well-crafted portrait of two famous artists, their suffering, and their joys.Pub Date: Oct. 9, 2025
ISBN: 978-1-685136598
Page Count: 251
Publisher: Black Rose Writing
Review Posted Online: April 28, 2025
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
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