A well-crafted portrait of two famous artists, their suffering, and their joys.
Groen’s historical novel imagines a love affair between Mary Cassatt and Edgar Degas.
In 1877, Mary “May” Cassatt is already making a name for herself in the French art scene, having had some paintings exhibited at the Salon, the establishment arbiter of the art world at the time. She is excited by the work of Edgar Degas, who has rebelled against the Salon and is a founder of the Impressionist movement. They finally meet, and she is enthralled. They become colleagues, then personal friends, and then, seemingly inevitably, lovers. Another strand in the story deals with Mary’s relationships with her family members. The Cassatts, from Philadelphia, are well-off, and her parents and older sister Lydia move to Paris to support Mary (and because they remember France so fondly). Mary is very close to Lydia, her faithful confidant, who lost her fiancé in the Civil War. Many famous real-life artists get cameo roles or mentions, showing Mary’s milieu, and Camille Pissarro gets more than that; as a happy husband and father, he contrasts with the tortured loner Degas, who can be incredibly hurtful. Camille becomes Mary’s other confidant; in fact, he warns her about Degas and is there for her when it all goes wrong. There is no hard historical evidence for this romance, and, of course, neither Mary nor Edgar ever married (this is not alternative history), but Groen is by no means the first to speculate. And Lydia at least did have a love tragically stolen from her. (At one point an exasperated Lydia says, “I wasn’t born with your talent…But I loved a man. I know what it’s like to wake up every morning longing for someone.”) What drives the book is the contrasting dynamics: love versus art, excitement versus serenity, the establishment versus the avant-garde. Love is strong, but is the pull of art stronger? That is the question. The text includes reproductions of artworks—mostly Cassatt’s—throughout.
A well-crafted portrait of two famous artists, their suffering, and their joys.Pub Date: Oct. 9, 2025
ISBN: 978-1-685136598
Page Count: 251
Publisher: Black Rose Writing
Review Posted Online: April 28, 2025
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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