A timely and thoughtful discussion about the intersection of gender and White privilege.
A collection of essays offers the reflections of 13 White women grappling with their own racial privilege and family histories.
In this book, Iversen complements her research on collective and family trauma in Ancestral Blueprints (2009). She provides readers with a dozen essays by White women, most of whom live in the Pacific Northwest and Canada, who contemplate their complicity in systemic racism. “Bringing visibility to both perpetrators and victims of injustice,” writes the editor, “is necessary to heal inheritances of collective trauma.” In particular, these essays focus on how “indoctrination in the innocence of white womanhood meant relying on white men to be solely responsible for the perpetrator roles of humanity” while ignoring the ways in which White women benefited from White supremacy. Many of the women’s family histories include relatives both directly and indirectly involved in specific acts of racial violence. The grandparents of one essayist, for example, were present at a “legal lynching” of a Black man in Owensboro, Kentucky, who had been hastily convicted by an all-White jury for the rape and murder of a White woman. Another contributor is a descendant of Colorado Territorial Gov. John Evans, who was forced to resign due to his role in the Sand Creek massacre of over 200 Cheyenne and Arapaho. Other contributors include the children of European immigrants from working-class families who benefited from their Whiteness in their new homeland. Collectively, these essays are not just well written, but also poignant and often raw in their acknowledgment of the ways in which their authors have personally benefited from both White privilege and the myth of innocence surrounding White women. Most essays also conclude with a list of resources and sources that will be useful to others interested in exploring historical and contemporary Whiteness. Though this book takes the important first step in acknowledging how the past continues to benefit White women in the present, there is not much provided in terms of practical solutions geared toward not just reconciliation, but racial justice and reparations as well.
A timely and thoughtful discussion about the intersection of gender and White privilege. (acknowledgements)Pub Date: Oct. 13, 2020
ISBN: 978-1-7353050-2-8
Page Count: 180
Publisher: CAB Publishing
Review Posted Online: Sept. 3, 2020
Kirkus Reviews Issue: Nov. 15, 2020
Review Program: Kirkus Indie
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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