With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility...
British author Jewell’s fifth novel (after A Friend of the Family, 2003, etc.) is a deliciously addictive read filled with London oddballs, horrid husbands and romantic destiny.
Thirty-five year old Vince is sitting in a kitchen with friends, fresh from the demise of his marriage to wild-child Jess, when the conversation veers to the first time each had sex. Amid tales of awkward fumbling and comic disappointment comes Vince’s recollection of Joy. They met as misfit teenagers at a third-rate beach resort—their parents’ rented trailers stood side by side—and the two, Joy beautifully fragile despite the army surplus shorts, Vince ruggedly handsome, experienced something close to love at first sight. After much hand-holding and a youthful baring of souls, Vince and Joy have a perfect night of sex in a field, and then through a series of miscommunications, the two are separated for another 17 years. What ensues is mundane life—dreary, disappointing, occasionally brilliant, most often just ordinary, as Vince and Joy attempt to navigate relationships all wrong for them. With a dead-end job and nursing a slightly bruised heart, Joy responds to a personal ad for a man described as handsome. He is not. But accountant George is rather sweet and interesting and enjoys the nightly spliff. And though Joy is not attracted to him in the least, the two begin a pallid romance that leads to a miserable marriage. Meanwhile, Vince has paired up with Jess, a free spirit who’s just a bit too free for Vince’s taste, what with the partying, the ex-boyfriends hanging about and the drug use, with an infant at home. Through the years, Vince and Joy’s paths have crisscrossed, but always at the worst possible time, delaying the inevitable, fated true love. Can Jewell sustain 500 pages of suspense until our lovers reconnect? Can a reader survive this much romantic pudding? Oh, yeah.
With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility of real love.Pub Date: Oct. 1, 2006
ISBN: 0-06-113746-4
Page Count: 512
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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