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VINCE AND JOY

With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility...

British author Jewell’s fifth novel (after A Friend of the Family, 2003, etc.) is a deliciously addictive read filled with London oddballs, horrid husbands and romantic destiny.

Thirty-five year old Vince is sitting in a kitchen with friends, fresh from the demise of his marriage to wild-child Jess, when the conversation veers to the first time each had sex. Amid tales of awkward fumbling and comic disappointment comes Vince’s recollection of Joy. They met as misfit teenagers at a third-rate beach resort—their parents’ rented trailers stood side by side—and the two, Joy beautifully fragile despite the army surplus shorts, Vince ruggedly handsome, experienced something close to love at first sight. After much hand-holding and a youthful baring of souls, Vince and Joy have a perfect night of sex in a field, and then through a series of miscommunications, the two are separated for another 17 years. What ensues is mundane life—dreary, disappointing, occasionally brilliant, most often just ordinary, as Vince and Joy attempt to navigate relationships all wrong for them. With a dead-end job and nursing a slightly bruised heart, Joy responds to a personal ad for a man described as handsome. He is not. But accountant George is rather sweet and interesting and enjoys the nightly spliff. And though Joy is not attracted to him in the least, the two begin a pallid romance that leads to a miserable marriage. Meanwhile, Vince has paired up with Jess, a free spirit who’s just a bit too free for Vince’s taste, what with the partying, the ex-boyfriends hanging about and the drug use, with an infant at home. Through the years, Vince and Joy’s paths have crisscrossed, but always at the worst possible time, delaying the inevitable, fated true love. Can Jewell sustain 500 pages of suspense until our lovers reconnect? Can a reader survive this much romantic pudding? Oh, yeah.

With wit and well-rendered characters, the author fills her story with keen observations about real life and the possibility of real love.

Pub Date: Oct. 1, 2006

ISBN: 0-06-113746-4

Page Count: 512

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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