The author’s experience as a screenwriter is most definitely apparent, as the reader always hears the voices and can...

THE DEATH OF BEES

An unusual coming-of-age novel that features two sisters who survive years of abuse and neglect.

The story is set in Scotland, written with a distinct Scottish flavor, in very brief chapters told from the alternating points of view of the two girls and a neighbor who takes them in and ultimately covers for them when their dark secret is uncovered. The story starts when the older sister discovers both of her parents dead, her father suffocated in his bed and her mother hanging in an outdoor shed. She and her younger sister decide to bury their parents in the garden rather than risk a return to the foster care which they had previously endured and disliked. To anyone who asks, including a drug dealer to whom their father owed money, they say their parents are in Turkey, but eventually the drug dealer finds the passports the parents would have needed to travel abroad. The neighbor, who has his own secrets and heartache, looks after them, feeds them and takes them into his home. Meanwhile, the dead mother’s father, who had abandoned her not once but twice, comes looking for her to make amends since he got himself sober and discovered God. He does not, however, treat his granddaughters in a very loving way. In the midst of these developments, the neighbor’s dog discovers the bones in the garden, and the neighbor, in an effort to protect the girls he has come to love and cherish as his own children, moves the bones to his own garden and eventually claims to have murdered the pair. While dealing with this strange and surreal experience, the two girls also go through the more mundane trials of female adolescence—peer pressures at school, menstruation and the confusions that accompany awakening sexuality.

The author’s experience as a screenwriter is most definitely apparent, as the reader always hears the voices and can visualize the dramatic, sometimes appallingly grim scenes. Recommended for readers who love film.

Pub Date: Feb. 5, 2013

ISBN: 978-0-06-220984-9

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 11, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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