The author’s experience as a screenwriter is most definitely apparent, as the reader always hears the voices and can...

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THE DEATH OF BEES

An unusual coming-of-age novel that features two sisters who survive years of abuse and neglect.

The story is set in Scotland, written with a distinct Scottish flavor, in very brief chapters told from the alternating points of view of the two girls and a neighbor who takes them in and ultimately covers for them when their dark secret is uncovered. The story starts when the older sister discovers both of her parents dead, her father suffocated in his bed and her mother hanging in an outdoor shed. She and her younger sister decide to bury their parents in the garden rather than risk a return to the foster care which they had previously endured and disliked. To anyone who asks, including a drug dealer to whom their father owed money, they say their parents are in Turkey, but eventually the drug dealer finds the passports the parents would have needed to travel abroad. The neighbor, who has his own secrets and heartache, looks after them, feeds them and takes them into his home. Meanwhile, the dead mother’s father, who had abandoned her not once but twice, comes looking for her to make amends since he got himself sober and discovered God. He does not, however, treat his granddaughters in a very loving way. In the midst of these developments, the neighbor’s dog discovers the bones in the garden, and the neighbor, in an effort to protect the girls he has come to love and cherish as his own children, moves the bones to his own garden and eventually claims to have murdered the pair. While dealing with this strange and surreal experience, the two girls also go through the more mundane trials of female adolescence—peer pressures at school, menstruation and the confusions that accompany awakening sexuality.

The author’s experience as a screenwriter is most definitely apparent, as the reader always hears the voices and can visualize the dramatic, sometimes appallingly grim scenes. Recommended for readers who love film.

Pub Date: Feb. 5, 2013

ISBN: 978-0-06-220984-9

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 11, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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