While her privilege never quite catches up with her, this hapless protagonist will leave younger readers laughing—and...
In Owens’ rollicking debut novel, an indecisive millennial wallows in “voluntary unemployment,” trying the patience of everyone around her.
When Claire Flannery decides to leave her job in “creative communications” to find a career she’s more passionate about, she first has to figure out where her passion actually lies. Her live-in boyfriend, Luke, happens to be a brain surgeon–in-training, and Claire envies his clear-cut path to success. In the meantime, all her friends have climbed London’s corporate ladder, leaving Claire to wonder where she fits in her social circle. Brash but observant, Claire has a tendency to speak without thinking, which lands her in hot water with her mother. Without the emotional support of her parents, Claire begins an inevitable downward spiral, drowning her sorrows in gallons of wine, self-pity, and bad decisions. Thankfully, Owens uses quick, sharp vignettes to move us through Claire’s London, so we’re never asked to wallow with her main character for too long. These sketches have the added benefit of giving us snapshots of Claire’s interior struggle. With trademark 20-something selfishness, Claire has the ability to turn even a toothbrush cup on the sink or a weed growing out of a foundation into a metaphor about her failed life. To her credit, Owens deploys a deft sense of humor to help us laugh at the incongruities of contemporary upper-middle-class crisis. In Owens’ hands, even Claire’s long-overdue visit to a dentist results in a misunderstanding that sums up the shame, absurdity, and hopefulness of the overskilled, underemployed worker. Since Claire already has Luke, Owens frees her character from the constraints of the marriage plot haunting similar rom-com titles like Bridget Jones’s Diary. Rather than, “Reader, I married him,” we get the sense Claire might wind up happily dating a new career, if only she can decide on one.
While her privilege never quite catches up with her, this hapless protagonist will leave younger readers laughing—and wincing—in recognition.Pub Date: May 3, 2016
ISBN: 978-0-8129-8881-9
Page Count: 256
Publisher: Dial Press
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
BOOK TO SCREEN
BOOK TO SCREEN
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