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HULA

Tiny, lucid first novel about two girls who navigate the shoals of puberty—and escape the dangers of a terrible, mean, cruel father. In a wry but deadpan voice, the younger of two sisters (the older is getting breasts) narrates the events of the summers of 1964 and 1965, when the girls' parents at last split up. Mother teaches dance at a local studio, and father, with a shiny metal plate in the back of his head (``My mother says something happened to our father in the war but my sister says he is just mean''), hangs around the house and yard in a state of barely suppressed rage, often being cruel, sometimes drinking too much (this makes him prone to shoot his pistol), and on occasion (as at the end, when he attempts to kidnap his daughters) flying into real, wild violence. As the storm of their repressive father's irrationality slowly brews, the girls live their own carefully guarded, small, private lives, sneaking swims in a neighbor's above-ground pool (it has slugs in it), quarreling endlessly (along with scratches and punches), escaping on pretend-journeys in the burned-out car on the lawn (where their father sometimes sleeps, his feet sticking out the window), and stealing away at night to meet up with local boys. There's a small dog that adds a droll and often touching humor, an eerie episode of a sheep (father kills and then burns it), and a once-pet rabbit that lost its tail and now keeps to itself, though never going far from the yard (``Lily is wild but she is still ours''). Father's kidnap attempt, with car and gun and bullets and daughters, is, like everything else here, skillfully understated and vividly told. Small, spare pleasures aplenty, albeit in a tale as worn and familiar as a soft old glove.

Pub Date: Jan. 1, 1994

ISBN: 0-393-03589-1

Page Count: 143

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1993

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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