A moving, beautifully structured novel from an incredible new voice.
Two young people navigate their personal lives and social turmoil in Thatcher-era England.
When Daphne, the narrator of Smith’s debut novel, meets a new boy named Connie at the South London secondary school she attends, it isn’t exactly love at first sight. Connie, 12, has recently moved to England from Jamaica with his mother, Althea; Daphne, a London native with a Jamaican mother, isn’t quite sure what to make of him. But the two eventually become friends, and Connie tells Daphne that he and his mother are “nuh land”—in England illegally. Daphne’s mother, Alma, welcomes Connie, allowing him to spend time at their crowded house when Althea’s abusive partner, Tobias, is in a bad mood. Daphne helps Connie adjust to life in London, while dealing with a family problem of her own: She has tracked down her absent father, much to Alma’s chagrin. Meanwhile, both characters are forced to deal with racist taunts and attacks, and Daphne finds herself interested in a white boy with both a crush on her and a virulently racist brother. Smith’s novel covers 12 years in the lives of the two families, beginning in 1981, shortly after the New Cross house fire that killed 13 Black people and led to that year’s Brixton riot, continuing through 1985, when another riot rocked Brixton, and concluding in 1993. Smith does an amazing job detailing the atmosphere of Thatcher’s England and the immigrant experience, and her dialogue is pitch-perfect. Most impressive is the way she draws Daphne and Connie, both complex characters constantly looking for somewhere to fit in. The writing is top-notch, and the novel manages to be heartfelt but never sentimental. This is a major achievement from an author with talent to spare.
A moving, beautifully structured novel from an incredible new voice.Pub Date: July 15, 2025
ISBN: 9780593537657
Page Count: 448
Publisher: Knopf
Review Posted Online: May 16, 2025
Kirkus Reviews Issue: June 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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