A bewildering array of detail offers little to satisfy stylistically.
Tucker’s far-fetched, heavily calibrated third novel, after Shout Down the Moon (2004), imagines the splintering effects of trauma on characters destined to meet between Hollywood, N.M. and St. Louis.
First, there is Stephen Spaulding, who lost his wife and young daughter in a car accident near their home in St. Louis. A family doctor at 30, Stephen gives up his practice after the accident to drive a cab and retell the story of the collision to whoever will listen. Next, there is the strangely anachronistic young woman Dorothea, who hires Stephen as a driver to help find her missing brother, Jimmy, hospitalized and homeless after fleeing the isolated New Mexico home of their reclusive father. Dressed, without irony, as if going to a ’50s sock hop, poor Dorothea has never even left her family home, let alone read a newspaper or watched TV. Finally, there is Lucy Dobbins, a singer living in Malibu, whose incredible story involves marriage 27 years before to famous Hollywood director Charles Keenan and his eventual disappearance and abduction of their two young children. The traumatic turning point of Lucy’s fairytale marriage to the much older, controlling Charles was a vicious attack by intruders at their posh mansion that left Lucy near death and her husband thereafter terrified of losing her and the children. All of these curious elements fit together in a creaking, painstakingly constructed plot: Dorothea and Jimmy emerge as the two long-lost children, removed by their paranoid father to isolation in New Mexico in order to shield them from bodily harm—in fact, leaving them with emotional scars too deep to heal. In the course of Stephen’s helping Dorothea care for her brother, a touching, unlikely romance sparks between the two needy trauma victims; discovery of the real identities of her parents is, predictably, imminent. Unfortunately, these toneless characters cannot contend with the busy plot.
A bewildering array of detail offers little to satisfy stylistically.Pub Date: April 11, 2006
ISBN: 0-7434-9277-3
Page Count: 352
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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