Probably best suited for eccentric folks and hipsters.


A particularly odd mix of photographs, graphics and sound bites offers clues about what mommies do when they go out at night.

The title of this app from France may raise a few eyebrows, but the raggedly translated text itself suggests that any dubious ideas or phrases may well be victims of language or cultural differences. Among other things, Mommy likes to “have a wild time with her friends,” confide in them about “her little belly that starts to sag” and chatter about everything from nail polish and shoes to concerns over being fat—all of which may resonate with American mothers, whether they’ll admit it or not. But Mommy also likes going to the theater, eating at a grown-up restaurant or attending a groovy concert. This app gets high marks for originality and quirkiness, and the concept is solid. The text explains Mommy’s “after hours” activities and does a fair job articulating the five w’s: who, what, when, where and why. Some narration is hyperbolically dramatic, particularly the girlfriend party, where tapping each woman prompts dialogue that ranges from desperation to high-pitched fanatical gushing. Each screen is an arbitrary mashup of photo images, illustrations, unsophisticated animations and interactions that will alternately intrigue (at least initially) and baffle readers. At least it’s not boring.

Probably best suited for eccentric folks and hipsters. (iPad storybook app. 5-10)

Pub Date: Dec. 7, 2011


Page Count: -

Publisher: Nexemble

Review Posted Online: Jan. 18, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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A larger-than-life subject is neatly captured in text and images.


The life journey of the first African American to serve on the United States Supreme Court and the incidents that formed him.

Thurgood Marshall grew up in segregated Baltimore, Maryland, with a family that encouraged him to stand for justice. Despite attending poor schools, he found a way to succeed. His father instilled in him a love of the law and encouraged him to argue like a lawyer during dinner conversations. His success in college meant he could go to law school, but the University of Maryland did not accept African American students. Instead, Marshall went to historically black Howard University, where he was mentored by civil rights lawyer Charles Houston. Marshall’s first major legal case was against the law school that denied him a place, and his success brought him to the attention of the NAACP and ultimately led to his work on the groundbreaking Brown v. Board of Education, which itself led to his appointment to the Supreme Court. This lively narrative serves as an introduction to the life of one of the country’s important civil rights figures. Important facts in Marshall’s life are effectively highlighted in an almost staccato fashion. The bold watercolor-and-collage illustrations, beginning with an enticing cover, capture and enhance the strong tone set by the words.

A larger-than-life subject is neatly captured in text and images. (author’s note, photos) (Picture book/biography. 5-9)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5247-6533-0

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: June 10, 2019

Kirkus Reviews Issue: July 1, 2019

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The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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