A powerful, emotionally resonant memoir of a young boy’s bout with cancer as experienced by his devoted mother.

IF

A MOTHER'S MEMOIR

A mother’s perspective on her son’s harrowing bout with lymphoma.

As French author Marzouk relates in her English-language debut, what started out as a sore throat escalated into something far more dangerous for 10-year-old Solal. When his tonsil had black streaks on it, his parents knew they needed professional help. Of course, they were blindsided by the diagnosis of cancer. The author and her husband were suddenly thrust into a different world as Solal moved into the Curie Institute in Paris for treatments. Because they had two other children who needed them, they also had to maintain some semblance of normalcy throughout the long months ahead. Marzouk delivers this tender memoir via two points of view: first person, which gives readers her immediate, often visceral reactions to such things as the doctor’s first analysis of Solal’s prognosis and Solal’s hair beginning to fall out due to chemotherapy; and third person, which gives a wider perspective of events and includes Solal’s reactions. The author skillfully deploys telling details, and her descriptions of what Solal endured and how she felt puts readers into the same space as the family, creating a narrative that is sometimes overwhelmingly intense. The author’s determination and sheer willpower to endure this ordeal shine through on nearly every page. For those who have been touched by cancer, the book will bring back memories of treatments and sickness, of fears and sadness, and of joy and hope. “You’re here,” she writes in conclusion. “I’m not making it up. You really are here. Freed from the Institute and its machines with their gloomy notes. And so I sing in order to forget, to forget the risks you still run, forget my fear, forget uncertainty. Yes, Solal, we must sing, we must keep singing obstinately. But even so, what if? What if? In spite of everything, there’s always an if.”

A powerful, emotionally resonant memoir of a young boy’s bout with cancer as experienced by his devoted mother.

Pub Date: Oct. 29, 2019

ISBN: 978-1-59051-097-1

Page Count: 320

Publisher: Other Press

Review Posted Online: July 21, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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