A dark, cherishable, very English comedy about not-so-funny times and events.
A clever orphan and his scam-artist guardian—an odd couple in wartime London—explore the space between legally wrong and morally right.
Engaging and comic, Evans’ U.S. debut takes a different slant on Britain during World War II, focusing less on the heroism, more on the seedy underbelly where frauds and crimes flourished while the nation was preoccupied with beating Hitler. Vera Sedge is one such petty trickster, claiming to be collecting for war charities, then pocketing her gains. But she’s not very good at it until an unpredictably gifted evacuee, Noel Bostock, joins the household and reorganizes her methods. Ten-year-old Noel, a loner with a leg damaged by polio, is mourning the death of his eccentric godmother, Mattie, whose quirky perspective shaped his thinking. Unlikely allies, Noel and Vera are the most prominent figures in a crowd of homefront characters that includes Vera’s even dodgier son, Donald, some surprising old ladies, and the assorted ranks of those not suitable to join the fighting forces. Aided by spot-on dialogue and low-key charm, Evans does a noticeably good job of spanning a wide range of emotional notes, from genuine sadness to absurd humor: Vera, for example, is injured during a bombing raid not by the bombs themselves but by an ambulance door slamming her in the face. While the privations and terrors of life during a time of rationing and sudden death are poignantly registered, there’s also a funny side, even to swindlers. And while everyone is trying to keep calm and carry on, Noel and Vera, assisted by strokes of fortune and a little arm-twisting, eventually succeed in this, too.
A dark, cherishable, very English comedy about not-so-funny times and events.Pub Date: July 28, 2015
ISBN: 978-0-06-236483-8
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: April 29, 2015
Kirkus Reviews Issue: May 15, 2015
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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