A grisly but low-impact tale of horrific crimes and their impact on the author.

THE BABYSITTER

MY SUMMERS WITH A SERIAL KILLER

A true-crime “hybrid work of memoir and narrative nonfiction.”

With journalist Jordan, Rodman recalls her preteen summers on Cape Cod with a younger sister and a mother “so self-absorbed that she unwittingly left her children in the care of a psychopath.” For a book about vulnerable children—a topic that usually tugs the heartstrings—the narrative is not as affecting as one would expect. One strand tells the story of Antone “Tony” Costa, a handyman “who just about everybody considered the friendly, even charming guy next door”—until he was convicted of the murders of Patricia Walsh and Mary Anne Wysocki and believed to have killed at least three other women. A second strand involves Rodman’s painful relationship with her distracted mother, who worked as a tourist-season motel housekeeper and often let Costa take her daughters for drives—including to a forest where he had buried his victims—when the author was between the ages of 8 and 10. The two threads alternate in a briskly written text that isn’t for the faint of heart: Costa committed gruesome dismemberments and other sadistic acts about which the adult Rodman has understandably had nightmares. Yet the story is curiously lacking in drama, in part because the book doesn’t reveal the author to have been in serious danger of harm from Costa. In the absence of high suspense, the authors try to pump up the tension with pulpy clichés (“his blood went cold”), stilted dialogue (“That kid is trouble….Mark my words”), and a deceptive-appearances theme familiar to the genre. The most noteworthy material appears in an epilogue, where, after excellent detective work, Jordan and Rodman establish conclusively that Costa did not kill three women he was suspected of murdering—a payoff that for followers of the case may be worth the 300-page wait.

A grisly but low-impact tale of horrific crimes and their impact on the author.

Pub Date: March 2, 2021

ISBN: 978-1-982129-47-7

Page Count: 352

Publisher: Atria

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

Did you like this book?

No Comments Yet

A conversational, pleasurable look into McConaughey’s life and thought.

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

Did you like this book?

more