A harrowing tale of loss and remembrance, often bleak but also lit with a hard-earned wisdom and grace.
Violence rends an Indian American clan in this plangent saga of family, migration, and estrangement.
Wieland’s narrative opens with the murder of Djuna Malik, an Indian American freshman at the University of North Carolina at Chapel Hill, and her two housemates by a racist man who lived down the street. Mourning her are her much older sister, Nisha, who raised her after their parents were killed in a terrorist attack in Mumbai, and her Lit professor, Liam McFadden, who feels she’s a talented writer and shows her class writings to Nisha after toying with the idea of plagiarizing them as material for his own novel. Liam and Nisha bond over Djuna’s journal and begin an affair. Nisha tells her own story to Liam, which includes her rape by an American youth in India, which led to further tragedy when her vengeful Indian lover at Harvard accidentally blew up himself, his brother, and uncle, with a bomb intended for Nisha’s attacker. She also ruminates on her tense marriage with Michael, a depressed white man with lots of guns and seething resentments. Meanwhile, Liam is wrestling with his own past growing up in Ireland. His father, a famous novelist, was so enraged that Liam’s mother published her own novel that she never finished another one, and he also plagiarized the work of Liam’s brother, Shamus, a talented and volatile poet. After he dropped dead of a heart attack during an argument with Shamus, more tragedy followed. Throughout, Nisha and Liam ponder the dead, while Nisha untangles yet more fraught relationships with Felicity, a friend and also the mother of Djuna’s killer, and Jamie, a troubled friend of Djuna’s.
Wieland’s novel works with big themes, including the experience of Indian immigrants eager to pursue the American dream but subject to racist affronts from microaggressions to homicide, and the problems of the story’s many angry men, with a first-term Donald Trump being a distant, presiding spirit who haunts the characters’ anxieties. It’s also an atmospheric portrait of the modern university, capturing the classroom torpor, the energetic zeal of its protest culture, the flurry of squabbling and empty-nest sorrow that surrounds Nisha’s relationship with Djuna as she leaves home, and the central role that prestigious degrees play in shaping the identity and self-esteem of the professional classes. (Djuna is distraught when her dream colleges reject her and she must settle for Chapel Hill, still one of the best schools in the country.) These are big themes, and Wieland explores them with psychological nuance and exactitude in prose that sometimes has a lyrical stillness and other times opens out into harsh, raw feeling (When tragedy strikes, Nisha’s “wailing afterwards was so loud and so long it seemed the sound came from the hospital building, out of the walls and floors, the drywall, the pipes, the wiring, the invisible Internet signal”). Wieland handles this sometimes unbearably dark material with evocative writing that packs an emotional wallop.
A harrowing tale of loss and remembrance, often bleak but also lit with a hard-earned wisdom and grace.Pub Date: Sept. 22, 2025
ISBN: N/A
Page Count: -
Publisher: Livingston Press
Review Posted Online: Sept. 23, 2025
Kirkus Reviews Issue: Nov. 15, 2025
Review Program: Kirkus Indie
Vintage Follett. His fans will be pleased.
A dramatic, complex imagining of the origins of Stonehenge.
In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.
Vintage Follett. His fans will be pleased.Pub Date: Sept. 23, 2025
ISBN: 9781538772775
Page Count: 704
Publisher: Grand Central Publishing
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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