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LOSING LINDA MAE

A CANCER CAREGIVING MEMOIR

A powerful, well-crafted memoir of a cancer caregiver and devoted son.

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In this debut memoir, nonprofit executive Lamson reflects on caring for his mother during her final year after a terminal cancer diagnosis.

The book opens with an account of a family dinner at a local restaurant in Wichita, Kansas, in July 2015. The group knows their waitress by name and balances idle chitchat with playful banter between the siblings, whose rivalries and inside jokes have followed them into adulthood. As they take a family picture, Lamson reflects on the juxtaposition of the smiling group with their current nightmare. His mother, Linda Mae, had been diagnosed months prior with brain cancer. By the time of the events of this opening chapter, she’d already lost most of her hair from chemotherapy treatment, had ports implanted into her chest and skull, and had been hospitalized for weeks due to medical complications that included shingles and neuropathy. This tension sets the stage for a poignant memoir in which the author honors his mother’s legacy while describing his own various stages of grief and loss. Although the book is more than 600 pages long, its detailed, intimate narrative spans less than a year; the author lost his mother in January 2016. The chapters survey the daily conversations, medical treatments, and rapidly declining health of Linda Mae’s last days. The book has poignant moments of humor along the way, such as the family’s sarcastic response to Donald Trump’s presidential campaign and Lamson’s playful mocking of a Green Bay Packers hat that his aunt was knitting. (“Mom discreetly [flipped] me the bird” in response, he adds.) Other moments center on Lamson’s responses to his mother’s imminent death, including his anger at God during a Christmas service at the family’s Lutheran church: “I cannot hear any more praise for someone who has profoundly neglected my mom,” he reflects on a concluding prayer of thanksgiving.

The volume, described as a “creative nonfiction memoir,” is stylized as a journal with daily entries. Lamson wrote this first-person account after his mother’s passing, and his own subsequent diagnosis of Hodgkin’s lymphoma, whose treatments mirrored his mother’s, in 2020. It reads like a novel, complete with detailed scene-setting, re-created dialogue, and the author’s own internal monologue. This approach complements the work’s deeply personal story, allowing readers into the most intimate of family spaces, conversations, and thoughts. Readers will find themselves cheering alongside the family at a pizza party celebrating a successful craniotomy that was “too miraculous to fit within the narrative of Mom’s cancer journey,” only to find their hopes crushed by a later conversation with a hospice representative, who gave the family directions on how to set up their mother’s bedroom for her final days. The book concludes with Linda Mae’s cremation, commemorating her life while recognizing the void that her demise had left behind. At the same time, Lamson doesn’t shy away from covering difficult topics, such as how his mother’s cancer diagnosis and treatments changed her personality and made her a “very different [person] from the one who raised me.”

A powerful, well-crafted memoir of a cancer caregiver and devoted son.

Pub Date: July 5, 2025

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Jan. 30, 2026

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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