An engaging mix of humor, mystery, history, and geologic curiosities.
Old treasure, murder, and beautiful women send a geologist across the Arizona desert into Mexico in Terret’s mystery.
Nick Cameron, a “consulting geologist,” is having dinner in a “desiccated dump in the flat Sonoran Desert” in Arizona when in walks Theo, a dame “hotter than a Soviet drill bit at the bottom of the Kola Superdeep Borehole.” She’s got “emerald eyes,” “marathoner thighs,” “stratovolcano breasts,” a stash of valuable agates of mysterious origin, and a Smith & Wesson snub-nosed revolver. “This dame knows what she’s doing,” Nick says to the reader, who is cast in the role of confidant; it’s a tricky literary device that, for the most part, the author pulls off. Soon, Nick is embroiled in a mystery involving the agates’ provenance, crooked marketing consultants, plundered museum funds, a beautiful industrial spy, a treasure-trove of Mexican gold ore with historic connections to Pancho Villa, and a “homicidal hobo” intent on making Nick his next victim. Terret successfully weaves the disparate threads of the complicated plot together, layering the narrative with fascinating, well-informed geological references and leavening the proceedings with humor, evoking the lingo and brash attitudes of old detective pulp fiction novels throughout. Women are “dames” (and mostly set dressing), their legs are “gams,” guns are “roscoes,”, and murder victims are “whacked.” The author conveys real feeling with Nick’s origin story: At age 13, he discovered his grandfather’s stash of 1950s detective novels, and the two bonded over their mutual enjoyment of the genre, using the books’ tough-guy lingo whenever they got together until the older man’s death. Terret falters, though, when Nick’s enigmatic friend Frankie, a Navajo-Italian jewelry designer who calls the shots in the multi-pronged investigation, briefly takes over the narrative from Nick to explain his actions—this sudden switch breaks Nick’s conversational connection with the reader and undercuts Frankie’s mystique with unnecessary exposition. The text includes Nick’s clue lists and a few line drawings of code symbols, floor plans, and landscapes to clarify plot points and add visual interest.
An engaging mix of humor, mystery, history, and geologic curiosities.Pub Date: Jan. 21, 2025
ISBN: 9781684632886
Page Count: 280
Publisher: SparkPress
Review Posted Online: Nov. 12, 2024
Review Program: Kirkus Indie
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK TO SCREEN
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.
An ordinary woman finds extraordinary adventures on a river cruise on the Seine.
Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.Pub Date: June 17, 2025
ISBN: 9780062998101
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
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