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MARILYN

THE PASSION AND PARADOX OF MARILYN MONROE

Surely not the last word, but a complete and honest effort and a good starting place.

Fifty years after her death and hundreds of books later, are we any closer to understanding Marilyn Monroe (1926–1962)? Probably not, but this new biography brings the known facts up to date and offers a fresh, modern take on the tragic star’s life and choices.

For Banner (History and Gender Studies/Univ. of Southern California; MM-Personal: From the Private Archive of Marilyn Monroe, 2011, etc.), the tangled roots of Monroe’s contradictions—shy but lurid, innocent and calculating, user and used—originated in her childhood. The product of a family with a history of mental illness, she was passed around between foster homes (both good and bad) as well as an orphanage. She experienced sexual abuse, absorbed a variety of religious influences, and discovered that her lost-lamb look attracted every man she met. Although Banner occasionally plays psychoanalyst, it's only in an effort to see her subject from every conceivable angle. The author’s film criticism is insightful, particularly in showing how Monroe helped build (and would deliberately mock) her own public image. She examines how Monroe’s unique allure drew on popular tradition and looked forward to the Pop Art future. As for the big question—did Monroe commit suicide or was she murdered by Bobby Kennedy, or her psychoanalyst, or mobster Sam Giancana, or the FBI?—Banner offers no smoking guns. Instead, she gives reasons why all the scenarios, both official and otherwise, are as problematic as they are plausible. Though the author sometimes over explains the obvious, this flaw does not detract from the book’s forward drive or Banner's sympathetic intelligence.

Surely not the last word, but a complete and honest effort and a good starting place.

Pub Date: July 17, 2012

ISBN: 978-1-60819-531-2

Page Count: 512

Publisher: Bloomsbury

Review Posted Online: April 20, 2012

Kirkus Reviews Issue: May 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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