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WILD WEST VILLAGE

NOT A MEMOIR (UNLESS I WIN AN OSCAR, DIE TRAGICALLY, OR SCORE A COUNTRY #1)

A funny, raw, and painful book about a woman’s chaotic, thoroughly individual path to coming into her own.

An actress/singer-songwriter muses on surviving her fierce, feral, fast-living family.

Kirke grew up the youngest daughter of a rock musician father and a clothing designer mother. Rife with bohemian disarray, their New York City home—which recalled “an expensive French brothel”—attracted stars like David Bowie, who once declined an offer to use one of her sister’s hands as an ashtray, and Courtney Love, who set fire to their house during a long stay. Despite her access to privilege, wealth, and deliriously outrageous parties where she danced in “oversize antique underwear,” Kirke secretly yearned for normalcy and for respect from her beautiful elder sisters who avoided or ignored her unless she had something they wanted. She discovered acting as a preteen and threw herself into comically inappropriate roles like child prostitutes and “a slew of other promiscuous women,” all with the goal of gaining the accolades that always seemed to go to her siblings. Later, she landed roles in small indie films, then the Amazon series Mozart in the Jungle, but those successes always seemed overshadowed by those of other family members. Still searching for her artistic identity, she went to a songwriting retreat where she met a country music producer she called the Cowboy, who embodied “both the freedom and stability I’d long craved.” When every song she wrote after that “came out country,” Kirke realized not only that she loved the Cowboy enough to move to Nashville, but also that country music could help her render everything, including the most complex feelings, “perfectly simple.” This memoir-in-essays will appeal to anyone who enjoys unforgettable characters and fearless storytelling from a writer unafraid to face down her own demons.

A funny, raw, and painful book about a woman’s chaotic, thoroughly individual path to coming into her own.

Pub Date: Jan. 28, 2025

ISBN: 9781668035573

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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