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TOO CUBED UNAUTHORIZED

VOLUME III

The third volume of this series doesn’t provide the same easy, absorbing read as previous installments.

Mae (Too Cubed Unauthorized: Volume II, 2011, etc.) returns with the third installment of her fictional unauthorized biography of psychedelic rock band Too Cubed.

Like its predecessor, the story picks up immediately after the previous book ended, continuing the overly detailed saga of Too Cubed. Spanning 1991 to 1995, there’s no specific plot running through this chronicle of the life and times of these road-tested musicians. Bass players continue to come and go, although keyboardist Bert seems to have outgrown his habit of helping them exit permanently. The band continues to achieve popularity and success, although their various insecurities—especially in relation to real-life band Phish—begin to wear thin. Too much time is spent on the fans, particularly groupie Gracie. This is, after all, the story of Too Cubed. One non-band character whose story doesn’t become tiresome is Sven. His brush with the law is real—and overdue, as major problems with emotional ramifications are too often glossed over for this cast of characters. As the Too Cubed men enter their 30s, thoughts of love begin to creep in as Mae plays with the very real issue many musicians face as they age: Their rock star lifestyles begin to compete with their innate human need to settle down. Connecting with characters other than bandleaders Stan and Trip can be difficult, but that doesn’t mean these two are easy to like: Trip is besieged by a heroin habit that no one will confront (which doesn’t seem to affect him much), while Stan’s controlling nature teeters on the edge of complete obnoxiousness. At times, readers will wonder if the author even likes any of the people populating the book, despite her frequent intrusions informing readers otherwise.

The third volume of this series doesn’t provide the same easy, absorbing read as previous installments.

Pub Date: July 26, 2011

ISBN: 978-0984598120

Page Count: 422

Publisher: Lonna Mae Enterprises

Review Posted Online: April 13, 2012

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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