The second installment of Mae’s (Too Cubed Unauthorized: Volume I, 2011) detailed saga of fictional band Too Cubed picks up where the first left off.
Newcomers to this series may have a hard time sorting out the enormous cast, and the lack of recap doesn’t make this a good series entry. Those familiar with the first volume, however, will find the Eight back in form, struggling to break out amid a beautifully drawn background of 1980s pop culture. Success brings all sorts of difficulties, including mob scenes at shows, banishment from clubs, groupies and an unfathomable amount of drugs and alcohol. But the Too Cubed boys weather it all, their faces continually turned toward better days as they learn the ins and outs of the music business. That optimism mutes the gravity of the heroin habits two of the band members develop and how it affects the band’s onstage performances; feeling the pain and seeing the conflict would bond the reader more closely to the various Too Cubed members. Mae knows the music industry and this musical scene, even without the intrusions that remind us that the narrator is a die-hard Too Cubed fan. This sensibility at times allows the author to spend too many pages and too much detail on the band’s shows and, sometimes, conversations that would be better served off the page. The scope and detail involved with this four-volume saga impresses, and the book ends with a signal that the band might be going through bass players the way Spinal Tap went through drummers. Amid the merry fun that Too Cubed carries wherever they go, however, is a truly chilling revelation about one of the band members, a character trait that casts an eerie glow over the band’s eventual demise. Despite its weaknesses, it’s all but impossible to not close the back cover and immediately pick up the next installment.
Pub Date: Sept. 13, 2011
ISBN: 978-0984598113
Page Count: 430
Publisher: Lonna Mae Enterprises
Review Posted Online: April 13, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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