Beautifully refined, intelligent and profound.

READ REVIEW

ETHICS OF THE UNDEAD

VAMPIRES POSE QUESTIONS ON LOVE, DIVERSITY AND RELIGION IN THE SAWTOOTH MOUNTAINS

Four teens must cling to each other for survival when they find that their remote wilderness boarding school is actually a school for vampires who are all too eager to feast on their new classmates.

Jung Soo, Hector Campos, Kathy Campion-Swink and Lionel Worthington each have different reasons for accepting scholarships to the Sawtooth Wilderness Academy: Soo loves the mountains and hopes to improve her English; Hector is offered the school as an alternative to juvie; Kathy has run away from a slew of boarding schools, and her parents were reassured to hear the academy has never had a successful runaway; and Lionel, who dreams of joining the Chicago Symphony Orchestra, has been promised private violin instruction at the academy after cuts to arts funding and rejectionfrom the Chicago High School for the Arts left him without other routes to pursue his dreams. Little do they know that the academy is actually a school for vampires; it has recently become a public charter school in order to accept state funding. To keep its funding, however, the school must pass an inspection by the school board, demonstrating a certain level of diversity, which the student body is severely lacking—that’s where the scholarship students come in. While the faculty has taken measures to protect the new students during the weeks leading up to the inspection, that hardly makes them feel safe: The Satanic Legion’s strong presence in the school is dying to find a way around the rules, and the moody, unpredictable teenage vampires constantly drool over them as a convenient source of nutrition. While they quickly find allies among the students and faculty, the main characters know they must escape. But how? And who will get hurt in the process? Schechter (Murder in Millbrook, 2012) manages to explore complex questions about ethics, diversity and culture without proselytizing to readers or detracting from an absolutely riveting storyline that few YA authors beyond Neal Shusterman have pulled off. The slow, sophisticated narrative structure reflects Shusterman’s, using multiple points of view and a lot of patience to allow readers to form their own opinions about richly developed characters as the story unfolds. While fans of teen vampires will be delighted to find something different, teen dystopia and horror fans who turn their noses up at the genre should certainly make an exception for this smart, fun read from an up-and-coming YA author.

Beautifully refined, intelligent and profound.

Pub Date: Nov. 20, 2013

ISBN: 978-1-939166-26-5

Page Count: 446

Publisher: Merrimack Media

Review Posted Online: April 3, 2014

Kirkus Reviews Issue: May 15, 2014

Did you like this book?

No Comments Yet

A beautifully realized daydream; a fun yet thoughtful exploration of the complexities and possibilities hidden beneath...

GREGORY AND THE GRIMBOCKLE

In this debut middle-grade novel, a lonely boy finds friendship and learns about the magic of human connection.

Defined by the large mole on his lip, 10-year-old Gregory has grown distant from his family. He is friendless and withdrawn. Then one night a strange little creature emerges from Gregory’s mole. It is riding a (quite lovable) cockroach and can change size. This is the Grimbockle. The Grimbockle—one of many Bockles, who, like Palmer Cox’s Brownies, live at the peripheries of human awareness—tends to the exoodles that bind people together. Exoodles are long, transparent, noodlelike threads and are usually invisible. Once Gregory has his eyeballs painted with Carrot Juicy, though, he can see them. He joins the Grimbockle and the roach, traveling the exoodles as if on a high-speed roller coaster. Exoodles wither and die when people don’t look after their relationships. The Grimbockle is trying to repair a particularly sickly exoodle that links a boy to his mother. Can Gregory help—and can he mend the exoodles in his own life? Schubert follows delightedly in the footsteps of Roald Dahl, opening her unfortunate young protagonist’s eyes to a previously unseen world both weird and wondrous (yet for all its outlandish magic, oddly logical). The scenario is one of riotous imagination, while the Grimbockle himself—brought sweetly to life in black-and-white illustrations by Kraft—is a sprightly and good-natured little person, full of the type of singsong infelicities found in Dahl’s beloved nonhuman characters: “Is you ever seeing glimpses of squiggles in the corners of your twinklers but then they is disappearing in a snippety blink?” “ ‘Exoodles!’ shouted the Grimbockle in triumph. ‘Sometimes, hoo-mans is getting so twisty and wound up in extra exoodles that they is feeling gloomy blue and heavy all day long.’ ” The story is perhaps too much of a parable to fully match Dahl’s template; the adventure is safer and the threats less dark. Nonetheless, readers should fall willingly and with thrilled abandon into the fizzy, fanciful world of Gregory and his Grimbockle friend.

A beautifully realized daydream; a fun yet thoughtful exploration of the complexities and possibilities hidden beneath surface appearances.

Pub Date: Nov. 9, 2017

ISBN: 978-0-9911109-3-3

Page Count: 153

Publisher: New Wrinkle Publishing

Review Posted Online: Nov. 10, 2017

Kirkus Reviews Issue: Dec. 15, 2017

Did you like this book?

No Comments Yet

A story with a tried-and-true plot that needs to freshen up its presentation.

The Lost Little Rabbit

A lost bunny searches for his mother in this debut picture book.

The youngster is already lost in the beginning of Lakhiani’s version of the time-honored tale of a lost child reuniting witha parent. On a foggy day, a young rabbit finds that he doesn’t recognize where he is. He calls for his mother, but instead of her voice in response, he hears the hum of a bumblebee. The nameless little rabbit asks if the bee knows where his home is, but the bee doesn’t and sends him on to the wise owl, who “sees everything.” As the little rabbit runs through the “eerie” fog toward the owl’s tree, he meets a kind squirrel. “I’ve lost my mother….I am lost and scared,” explains the little rabbit. The squirrel leads the rabbit to the wise owl’s tree, which the rabbit climbs to ask the owl, “[C]an you see where I live?” The fog is too thick for the owl to spot little rabbit’s home, so he gives the little rabbit a snack and invites him to rest. Falling asleep, the little rabbit dreams of his mother but is awakened by the hooting, buzzing and chattering of his three new friends. Looking around, he sees his mother, who embraces him: “I will never again let you out of my sight,” she tells him. The digitized art by Adams, some of which is credited to Thinkstock, is in a cartoon style that clearly delineates the characters but includes a few anthropomorphic details—a graduation cap for the owl, spectacles for the squirrel and only four legs for the bee—that add little value. Since the story centers on the little rabbit failing to recognize where he is, the choice to make the right-hand page of every spread identical is potentially confusing; regardless, it’s repetitious. The text fails in the opposite direction: It doesn’t create the typical patterns that can help toddlers follow the story, build anticipation and learn to chime in—steps on the path to reading alone. Erratic rhythms, changing stanza lengths and rhyme schemes, and awkward syntax undercut attempts to enliven the tale with poetry.

A story with a tried-and-true plot that needs to freshen up its presentation.

Pub Date: May 8, 2014

ISBN: 978-1491895603

Page Count: 24

Publisher: AuthorHouseUK

Review Posted Online: Jan. 15, 2015

Did you like this book?

No Comments Yet
more