A compassionate, informed novel about loss in postwar Japan hampered somewhat by slow pacing.
A financially struggling Japanese couple makes a painful decision to send their son to the United States to be raised by relatives in Stephens’ novel.
Noriko Ito was only 7 when the U.S. military dropped a nuclear bomb on Hiroshima. Her parents owned a sushi shop in the city,but the brutal end to the war threw their business and Noriko’s childhood into disarray. As a hibakusha, or survivor, she lives in fear of eventually contracting a radiation-related illness. As a young adult, she hopes to enter a drama academy and become an actor, so she moves to Osaka, where she works in her half sister’s tearoom. With her hair cut in a short, modern style, she’s ready to take on the world—but then she’s rejected by the school. The tearoom’s general manager, Ichiro, sees that she’s depressed and begins to court her; he’s a gentle, kind man who put aside some dreams of his own to earn a living. Eventually, the two marry and have a son, but then Ichiro is diagnosed with tuberculosis. The couple relies on help from family to get by, and Ichiro convinces Noriko they should send their son to live with his sister, who married an American and lives in Montana—a move that only causes more pain for Noriko. Stephens’ sprawling novel is loaded with details about Japanese culture, postwar history, and the Tenrikyo religion in particular. It also features some wonderful lines that give readers keen insight into Noriko’s psyche: “Japanese people believe that children up to the age of five can communicate with angels, but can they also communicate with the dead?” she wonders to herself, not long before her son is to depart. The pace of the storytelling is quite leisurely, though, as it methodically moves along a relatively flat story arc. Still, the characters’ perseverance through continual struggle makes for a compelling story of survival of life’s many trials and of one person’s drive to stay true to oneself.
A compassionate, informed novel about loss in postwar Japan hampered somewhat by slow pacing.Pub Date: May 11, 2021
ISBN: 978-1-64428-198-7
Page Count: 360
Publisher: Rare Bird Books
Review Posted Online: Oct. 12, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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