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ON THE WAY TO CASA LOTUS

A MEMOIR OF FAMILY, ART, INJURY, AND FORGIVENESS

An often beautiful survey of tragedy and rebuilding.

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In this debut memoir, an art collector tells of undergoing surgery in her early 30s and how it upended her life and destroyed her health.

In this moving story of hope, empowerment, and forgiveness, Margain grapples with a life-altering mistake and chronicles her emotional journey to Casa Lotus—a home in Texas Hill Country that, as the book opens, she and her husband, Eduardo, have planned but not yet built. The Mexican-born Margain notes that “family is everything in Mexican culture,” and she describes how she moved with her own family from Monterrey to Mexico City at the age of 12 and, later, to Austin, Texas, carrying her culture with her. Endearing scenes of later meeting her husband in New York City, and their years of marriage and building the Margain-Junco Collection of art together, pepper the narrative. One day, several months after her son was born in 2012, the 30-something author visited her doctor and told him that she sensed that something was wrong with her, although she lacked “any real symptoms.” At the time, Margain was raising three young children, including a newborn, and dealing with the loss of her grandmotherand her sister’s cancer diagnosis. Her doctor told her that she might have depression, but she felt that something else was going on. She visited multiple physicians, and a CT scan later revealed a tumor on her adrenal gland, which a surgeon removed. However, something went wrong during the procedure, the author says, which profoundly altered her life. Margain’s remembrance superbly details how people can find freedom and healing in forgiveness, and her story will resonate with readers who are seeking hope, a sense of spirituality, and faith that things happen for a reason. With that goal in mind, the memoir cites Buddhist teachings from spiritual teachers such as Thich Nhat Hanh, biblical passages (“The truth shall set you free”), thoughts from Hindu gurus, and secular conceptions of integrity and morality. She also offers insights on how anger—particularly female anger, which, she asserts, is often repressed—can also be a potent productive force.

An often beautiful survey of tragedy and rebuilding.

Pub Date: March 23, 2021

ISBN: 978-1-7363905-0-4

Page Count: 192

Publisher: Cuco Press

Review Posted Online: April 5, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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