by Lorenzo Carcaterra ‧ RELEASE DATE: Sept. 1, 2002
Past the clunky soundtrack and heroic Yank, there’s a great story here.
Carcaterra (best known for Sleepers, 1995) inserts an American into the Four Days of Naples, when the great port city was saved from Nazi destruction by an army composed mostly of boys.
The Italians made a beautiful film of this astonishing and true WWII story of Neapolitan heroism, but Carcaterra’s new version supposes an American hero, a second-year law student from Kentucky, Steve Connors, now ably serving as an army corporal. Connors is sent in by his commander to reconnoiter Naples, which the Germans have recently evacuated of its citizens prior to executing Hitler’s order to destroy the city. The Allied Forces are sitting on their duffs, waiting for a go-ahead from Field Marshall Montgomery, but the Germans aren’t. Colonel Von Klaus’s Panzer tanks are clanking down the road, picking off stray Italians and headed for what they are sure will be a cakewalk. Corporal Connors, losing his two sidekicks in action on the way into the city, gains a replacement force of scugnizzi, Neapolitan street urchins, and a wounded but still valiant mastiff. By a miracle roughly equivalent to the liquification of the blood of Naples’ patron San Gennaro, the lads—and most of the lads Connors will meet—speak, not just English, but an English that reads eerily like a dubbed soundtrack. Connors himself speaks a lot of exposition, dialogue not being a Carcaterra strong point. Connors hooks up with one of the few adults in town, a clever but cynical boozer with a comely daughter, and together they set a strategy to stop the Panzers in their tracks. The action finally picks up, halfway through the story, with the onslaught of the Nazis and execution of the plan, which involves a lot of sewer scuttling for the scugnizzi, street urchins, and surprise for the conquerors of Europe. Connors and the pretty daughter will find a few quiet moments alone amid the fray.
Past the clunky soundtrack and heroic Yank, there’s a great story here.Pub Date: Sept. 1, 2002
ISBN: 0-345-41096-3
Page Count: 336
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
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BOOK REVIEW
BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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BOOK REVIEW
by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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