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SHAKESPEARE UNDEAD

Christopher Moore does much better work with both vampires and Shakespeare, but this bawdy send-up should slake the thirst...

The Bard struggles with madness and monsters in this risqué literary burlesque from paranormal romanticist Handeland (Apocalypse Happens, 2009, etc.).

As one of his famous creations might note, the William Shakespeare who creeps through this book is well-armed with “[t]houghts black, hands apt, drugs fit, and time agreeing.” Indeed, Hamlet’s inner demons are no match for Will’s as he struggles with vampirism. The novel opens in 1592 in London’s Southwark neighborhood. Shakespeare walks through the shadows, only to get his throat sliced from ear to ear by young Katherine, an amateur chasseur (French for “hunter”) trained by her Haitian nanny to stalk and kill the undead. But Shakespeare is hardier than he seems and soon thrusts himself upon the boy he believes Katherine to be. (Academics across the world just punched the air in triumph.) It turns out that Shakespeare has quite the long history, which leads to some laugh-out-loud moments. Immediately after kissing his newly discovered “Dark Lady,” Will muses, “The last time he’d felt like this about a woman, he’d lost her. First to Caesar, then to Antony, then to an asp.” For the most part, the book is shameless fun, with a decent grounding in the Bard’s work—the denouement echoes Romeo & Juliet—and a crisp, humorous bite. It’s when Handeland indulges her romance background that the novel suffers: “He would lick that skin; he would let the heat of her wash over him, then bask in that heat like a cat in the morning rays of the sun.” Ouch.

Christopher Moore does much better work with both vampires and Shakespeare, but this bawdy send-up should slake the thirst of mash-up lovers a little longer.

Pub Date: June 1, 2010

ISBN: 978-0-312-64152-8

Page Count: 320

Publisher: St. Martin's Griffin

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: April 15, 2010

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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