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A WORLD TURNED OVER

A KILLER TORNADO AND THE LIVES IT CHANGED FOREVER

By squaring the storm to its social consequences, Hemingway drains any lingering romance one might have with tornadoes as...

The story of the Candlestick Tornado, in Jackson, Mississippi, as told by Hemingway (Walk on Water, 1998, etc.): a tale as portentous and coolly menacing as the sky that March afternoon in 1966.

Hemingway lived for a spell as a kid in South Jackson, a new and ordered world of small mall and subdivision, and she knew the people who lived there. She and her family moved away only months before the woolly spring weather delivered a tornado to the neighborhood and turned it into a killing field. So there is a sense of indwelling to her writing, which she tempers to fit the mood of the story—like skipping stones as it tells of the town's daily life in the 1960s, wary as she shapes its history, silky and sinister as a bad dream when the weather turns murderous. At first, the tornado has a dreamy quality: the queer light (“pale green the color of spring grass shoots or yellow as a lemon skin”), the atmospheric compression and fantastic supernatural presence of the wind—“It sounded,” she says, “like a heartbeat.” She does a terrifying job describing the tornado—glass shards thickening the air, the choking dust and live wires and fire, the surreal story of a woman and her child in their Volkswagen lifted high into the sky, above the old oak trees, then lowered by the wind as gently as you would place a china cup on a marble table—a scene best summed up in another woman's words, “the world had rolled over.” The aftermath, both proximate to the event and 34 years later, when Hemingway returns to take testimony, is a rude as the storm, one of those “milestones of dark discovery, by initiation into the deliberate and unholy knowledge of the mortal.” Her profiles of a handful of the survivors are touching and as conductive as copper wire.

By squaring the storm to its social consequences, Hemingway drains any lingering romance one might have with tornadoes as sublime forces of nature.

Pub Date: July 11, 2002

ISBN: 0-684-85634-4

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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