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WALK ON WATER

A MEMOIR

In this raw, to-hell-and-back memoir the enormously talented granddaughter of Ernest Hemingway describes, among other things, how she has fished some of the waters—Key West, the Big Two-Hearted River—her grandfather loved, and battled the same self-destructive alcoholism that haunted him. Hemingway’s often hard life formed the framework for her first novel, Walking Into the River (1992). Like the protagonist in that tale, she had a drunken, dissolute mother and an abusive stepfather, a man she despised. Aunt Freda, the family member she is closest to, once even took a shot at him. Hemingway describes herself as a “dark child,” one adults regarded “as they would a rabid Chihuahua.” She had a penchant for eating anything from night crawlers to river mud. Her parents divorced when she was six. A rebellious teenager, she ran away and secretly contacted her father, Gregory. Ernest Hemingway’s youngest son suffered severe depression and, as she discovered, “liked to dress in women’s clothes.” By early adulthood, Hemingway had done jail time, been “raped and dumped in a backwoods in Georgia,” spent time in drug rehab, sold drugs, stolen cars, and ridden “with baby-eating bikers.” She married and had a child in the 1970s, but drinking—and her obsession with fishing—would continue to plague her. Deep-sea fishing became a passion, and in 1980 she founded a tournament in Key West. A “bombastic, conscience-free, ego-driven alcoholic,” she would fish the Big Two-Hearted River on assignment for a magazine but, as often happened, her drinking nearly ruined the trip. A feisty, dying Aunt Freda offered her a freezerful of home-grown, medicinal marijuana, not to smoke but to sell so that she could pay for treatment for her alcoholism. Hemingway’s brief but harrowing description of her stay in a detoxification center in January 1988 and her joy at “being free” of the addiction climaxes this frank, powerful memoir.

Pub Date: May 1, 1998

ISBN: 0-684-82255-5

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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