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THE UNPROFESSIONALS

NEW AMERICAN WRITING FROM THE PARIS REVIEW

The collection may give a sense of contemporary U.S. writing, but the marked unevenness is surprising given the magazine’s...

A collection of recent work from this venerable publication includes a dozen short stories that range as widely in style as they do in quality.

The term “unprofessionals” aims to distinguish the writers here from those who “write long and network hard” in search of commercial success, Paris Review editor Stein says in his introduction. That’s somewhat disingenuous: the author bios note 16 published or imminent novels, a senior editor at the New York Review of Books, and the New Yorker’s poetry editor. Never mind. Along with 5 essays and 14 poems, the fiction here represents what Stein calls “the intensity and perfection found only in small things.” “Intensity” certainly applies to some. Ottessa Moshfegh writes of a man’s weekend flight from his pregnant wife to an unplanned tryst with his brother’s lover. Angela Flournoy seems to capture a lifetime in a few hours of a gambling addict’s life as it moves from eviction to the roulette wins and then broke again. An S&M session between two men gets out of hand in Garth Greenwell’s painfully clinical prose. Atticus Lish carries the torch for Raymond Carver in his laconic tale of a blue-collar worker in and out of prison. Several pieces have the callow ring of MFA exercises. "Perfection” came to mind only with Zadie Smith’s angry, tense, hilarious story of a black transvestite shopping for a corset in prose that manages to suggest both Lou Reed and Flannery O’Connor. Special mention goes to John Jeremiah Sullivan’s evocative essay on the time he spent with 92-year-old Southern literary critic Andrew Lytle, an atmospheric portrait that some of these unprofessional fiction writers would do well to study.

The collection may give a sense of contemporary U.S. writing, but the marked unevenness is surprising given the magazine’s illustrious history.

Pub Date: Nov. 17, 2015

ISBN: 978-0-14-312847-2

Page Count: 304

Publisher: Penguin

Review Posted Online: Sept. 2, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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