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FROM HARVEY RIVER

A MEMOIR OF MY MOTHER AND HER ISLAND

A tender, thoughtful portrait of four generations, prompting hopes that the author’s first full-length prose work won’t be...

Prizewinning poet Goodison (English/Univ. of Michigan; Goldengrove, 2006, etc.) pays tribute to her Jamaican heritage.

Starting in the mid-19th century, when her English great-grandfather, William Harvey, established a homestead next to the mighty river that would eventually bear his name, the author doesn’t so much trace events as animate the characters of her relatives who lived them. Readers seeking a detailed record of Jamaican history should look elsewhere, for Goodison unveils intimate worlds teeming with all the local flavor and poignancy of a Zora Neale Hurston novel. The five “fabulous Harvey girls” of her mother’s generation spark her particular interest, she writes, and “the place that had produced my mother’s people…was to shape my imagination for the rest of my life.” Describing the Harvey River, her family’s metaphorical life source, Goodison brings the memoir back to herself: “There are lost pearls and hopeless cases and the bones of runaway Africans down there as well as wedges of iron-hard brown soap which the women of Harvey River used to wash acres of clothes in this same river. As long as I swim in it, I will be borne to safety.” Yet the story isn’t really about her, except as the lucky offspring of people deeply, happily rooted in their family history. In a funny passage from the afterword to the U.S. edition, Goodison sends home a rapturous letter describing a breathtaking New York City sunset over the water, and her mother replies, “Who were the Hudsons that the river was named after?”

A tender, thoughtful portrait of four generations, prompting hopes that the author’s first full-length prose work won’t be her last.

Pub Date: March 11, 2008

ISBN: 978-0-06-133755-0

Page Count: 304

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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